The concept behind clickbait is not nearly as new as the web itself, however. Magazines, newspapers, book titles, TV news programs, and other forms of media have been over-hyping headlines and titles for quite a while now at this point.

You may be wondering why I am beginning a book review post with a brief overview of clickbait. The reason lies in the fact that I generally approach books with certain phrasing in their titles with a generous pinch of salt.

“Secret History” of just about anything is one such term that I try to view with an open mind, keenly aware all the while that it may be used as a marketing tool.

Note, I said “tool”, not ploy. In many cases, I do not believe there is genuinely ill intent on the part of either the author or the publisher.

Rather, knowing the psychology of marketing, they realize that certain keywords will draw readers in and make them more apt to purchase an item.

After all, who doesn’t want secret knowledge on just about any topic – let alone one they likely already have an interest in?

The irony is that, even if the proverbial tea was spilled for the first time publicly on a given subject, once it is out there in print (or another media) form, the secret element largely vanishes.

For much of human history, and certainly in many respects to this day (despite what social media might have you believe), witchcraft was frequently done in secret – whether by choice or necessity.

And that fact alone makes the inclusion of the word “secret” in the title of the book we will be exploring here more apt than if it were present in relation to a fair number of other topics.

Released in 2020, Witchcraft: A Secret History by Michael Streeter takes a captivating look at the origins and dynamic, often turbulent history of witchcraft from ancient times straight on to the 21st century.

Book Specs

Name: Witchcraft: A Secret History

Author: Michael Streeter

Page count: 256

Publisher: White Lion Publishing (an imprint of Quatro)

Binding: Hardcover (this book is also available in paperback)

No secrets, but plenty of interesting facts and viewpoints

Like many of us, some of the first books pertaining to the craft that I cut my witchling teeth on focused primarily on the history of witchcraft.

As a budding Pagan witch living in a modest-sized town during the 1990s, there wasn’t a ton of literature to be had on witchery and Paganism at either my school’s library or our town’s public library.

Unsurprisingly, of the two, the public library offered up moderately more titles. I read every single one from both sources and anything else I could my hands on that even faintly pertained to witchcraft and/or Paganism.

In the ensuing decades, I have read scores of books on a huge range of witchery, occult, Paganism, astrology, tarot, and other related topics – including plenty that focus on the history of witchcraft.

I’m always game to give a new (or new to me) title on this subject a shot. When I spied Witchcraft: A Secret History on sale in 2020 for an absurdly low price, I leapt at the chance to add this particular look at the history of witchcraft to my own personal library.

This book was penned by a British writer and TV researcher named Michael Streeter who has over thirty years of experience working in newspaper journalism (he is a former editor, for example, of the Scottish Daily Express newspaper) and who has extensively researched and written about a wide range of subjects, including the occult.

I do not know – and make zero assumptions about – if Mr. Streeter is a witch, Pagan, or otherwise occult inclined individual or if this is simply an area of study that tickles his fancy.

As you might guess based on the title, this is not a “how-to” book pertaining to witchery, spellwork, or the like.

Witchcraft: A Secret History is, as its name implies, a history of witchcraft. However, various topics such as the sabbats, certain types of witches tools and attire, covens, and other elements that pertain to how some 21^st witches and Wiccans practice their craft are touched on in this book as well.

This book is divided into three sections, each of which houses a few chapters. They are as follows:

The Ancient World

-The Dawn of Witchcraft

-Powerful Goddesses, Powerful Witches

-Magic and the Birth of Christianity

-European and Northern Witchcraft

-The Wheel of the Year

The Medieval World

-The Rise of Christianity

-The Burning Times

-Witches Tools

-New World, Old Horrors

-Salem: A Town Possessed

-The Magic Circle and Pentagram

The Modern World

-The Survival of Witchcraft

-The Birth of Wicca

-Covens

-Wicca Goes West

-Witchcraft Now and in the Future

-What Witches Believe

Each of these chapters is further broken down into multiple subsections, meaning that the space devoted to a given topic is rarely vast, yet as a collective whole, the body of information presented is well structured and provides readers with a generalized look at the history of witchcraft.

Across the span of Witchcraft: A Secret History, the author delves deep into a wide range of topics. Myth and lore, known history and contemporary witchcraft all find their way into this hardcover book’s pages.

Perhaps hoping to tap into the long-standing connection that exists both in the popular imagination and in real life between Halloween/Samhain and witches, this book features just two colours of ink throughout: black and orange.

The wealth of historical images that Witchcraft: A Secret History houses are rendered in orange, black, and the white paper of the pages themselves. (Both the front and back cover of this book share this same colour palette.)

This approach creates a visually captivating, exciting array of images that draw you and hold your attention as they do so.

And while I enjoyed and was not put off by this two-colour approach, at times I felt it might have highlighted the seriousness of the important historical topics at hand had the images appeared either solely in black in white or in full-colour illustrations.

There is, naturally, a finite amount of information that one can pack into 256 pages. I knew going into Witchcraft: A Secret History that this was not likely to be the most detailed or extensive book that I’ve ever read on the history of witchcraft.

However, Streeter took full advantage of the space allotted to him and wasted no time in presenting us with an engaging summation of the history of witchcraft, as well as touching on topics such as “What is Witchcraft?” (which as he notes, is not an easy question to answer), “Folk Magic”,  (the) “Mother Goddess”, and many other areas pertaining to the craft.

This book explores the fact that witchcraft – both as that word was intended in times past and in the present day – has been with humanity for a very long time.

Throughout Witchcraft: A Secret History, we rub shoulders with a wide range of historical and mythical features. From the Witch of Endor to Circes, the ancient Druids to key figures in the development of Wicca and, by extension, modern witchcraft in general, such as Aleister Crowley, Gerald Gardner, and Raymond Buckland.

Beyond the scope of names and dates of the sort one would expect to find in a history book, Streeter presents a fair and empathetic look at the prejudices, persecution, misunderstandings, and wholly unjustified reputation that witchcraft has often been subjected to over the centuries.

Along the way, the author also highlights how certain early deities and mythological figures (for example, the Sumerian Lilitu who is believed to be the prototype for the Hebrew Lilith) have managed to not only survive, but take on new forms over the years, including in terms of the roles that they currently play in the lives of some modern-day witches/Wiccans/Pagans.

As is often the case with books pertaining to the history of witchcraft, this title focuses primarily on how this subject relates to Europe and North America.

If you are seeking a broader global look at the history and origins of witchcraft/sorcery/magick from other parts of the world (such as Africa, for example) you will need to look elsewhere to find it.

While I wouldn’t say that Streeter goes out of his way to make this point, it is important to keep in mind when engaging with anything relating to its history that witchcraft, as it is practiced today by many, is not a directly continuous act that has been carried out in the exact same way since the dawn of civilization.

The manner in which some modern witches around the globe practice witchery and what this act means to them may not always be the same as that of our forewitches.

Many individuals whom we, through the lens of the 21st century, label as witches may not have identified as such in their own time.

They might have been healers, midwives, shamans, cunning folk, herbalists, or other designated individuals, but, again, may not have described or viewed themselves as witches in the way that we generally use and understand that word today.

The concept of yesteryear individuals merrily marching en mass under the banner of witchery is at best a highly romanticized version of the past and at worst, a great disservice to the people and their beliefs that helped to lay the path to modern-day witchery.

Not to mention an affront to those who were accused, often falsely, of practising witchcraft as it was negatively perceived at the time through a highly religious lens.

How Witchcraft: A Secret History by Michael Streeter rates with me

As I suspected going into it, Witchcraft: A Secret History is not chock-a-block with secrets that have been hidden for countless years. No lids – be they of caldrons or otherwise – are blown off in this book.

Those who have been studying the history of witchcraft for a while may find that they’re familiar with much, if not all, of what is covered throughout its pages.

This is not to say that it can’t still make for an engaging read, simply that it is a book which is, in my opinion, especially well suited to those who are just starting to delve into learning about witchcraft and its history.

Indeed, I couldn’t help but think while reading Witchcraft: A Secret History how my vastly younger self would have lapped up every word in this book with wide-eyed gusto and enthusiasm.

While I’m far from jaded and actually tend to enjoy reading different peoples’ takes on subjects that I am already quite familiar with, objectively, there wasn’t a lot in this book that was new to me.

For some people – especially those who are just starting out as witches/Wiccans or beginning to research the history of witchcraft for whatever reason – each page may be filled with information that is sparklingly new to them.

Though heavy subject matter is covered at times (as it should be in a book of this nature), overall, I found Witcraft: A Secret History to be a breezy read that I got through in no time at all.

The tone was lively and this history book flows nicely, leading one straight into the development of 20^th and 21st-century witchery and Wicca.

Those looking for a more in-depth and/or academic overview of the history of witchcraft will likely either wish to search elsewhere or – and this is my personal recommendation – include Witchcraft: A Secret History as one of multiple books you read on the subject.

In particular, if you are seeking a deeper dive into the history of witchcraft and/or magick, I would suggest checking out the following titles (amongst others):

–A History of Magic, Witchcraft, and the Occult by DK

–A Storm of Witchcraft: The Salem Trials and the American Experience by Emerson W. Baker

–History of Witchcraft by Jeffery B. Russell and Brooks Alexander

–Magic: A History: From Alchemy to Witchcraft, from the Ice Age to the Present by Chris Gosden

–Obeah, Race and Racism: Caribbean Witchcraft in the English Imagination by Eugenia O’Neal

–The Occult, Witchcraft and Magic: An Illustrated History by Christopher Dell

–The Oxford Illustrated History of Witcraft and Magic by Owen Davies

–The Salem Witch Trials: A Day-by-Day Chronicle of a Community Under Siege by Marilynne K. Roach

–The Witch: A History of Fear, from Ancient Times to the Present by Ronald Hutton (Hutton’s books in general as a terrific source of information pertaining to the history of witchery and Paganism, including Druidism)

–Witchcraft in Europe, 400-1700: A Documentary History edited by Alan Charles Kors and Edward Peters

One point in particular that immediately struck me as a bit strange for a history book is the lack of academic citations, a bibliography, or even a further or suggested reading section at the end which might have given readers an idea of where the author sourced the information in this book from.

We can only speculate as to whether this was an unintentional oversight or a purposeful decision on the part of the author or their publisher. Either way, I felt that a lack of sources and/or bibliography weakened the accuracy with which that some readers may view the information presented in Witchcraft: A Secret History.

Nevertheless, with its undeniably attractive cover, promise of secret knowledge, and general overview of the history of witchcraft, this book has appeal for sure.

It is not my all-time favourite book on the history of witchcraft, but I enjoyed it all the same and appreciate the natural flow of how this Witchcraft: A Secret History is presented. Just as I did the mix of the author’s own take on certain subjects woven throughout his presentation of the historical facts and lore contained in this book.

Is the title a bit clickbait-y? (Or would that be “readbait-y”?) You betcha!

Chances are many readers will understand as much going into this book, though, and won’t be wildly disappointed when they get to the end and are not in possession of some highly classified witchcraft intel.

If you’re looking for a light overview of the history of witchcraft or a beginner book on the subject, you may want to pick this title up for yourself or to give as a gift.

Those who are well versed on the subject may still find this to be a pleasant read, however, you are unlikely to be blown away by this particular book.

Working on a scale of 1 – 5, with five being the highest possible rating, I would give Witchcraft: A Secret History book 3 stars out of 5.

★ ★ ★ ☆ ☆

Have you read Witchcraft: A Secret History? What is your favourite book on the history of witchcraft?

The post Book Review: Witchcraft: A Secret History by Michael Streeter appeared first on Witchcrafted Life.

Little by little, the last vestiges of winter are melting back into the seasonal ethers.

For some, spring weather and new life begin as early as February. For others, it gradually inches its way out in March, April, or even May.

No matter when spring begins in your particular corner of the Western Hemisphere, it is safe to say that the dark, soulful, mysterious days of autumn may not be the first thing on everybody’s mind.

Exceptions made for those of us who are fall-obsessed and rarely, if ever, go a day without thinking about our beloved autumn.

At first glance, these fresh days of mid-spring might not seem to have a lot in common with autumn – let alone with the month of October.

Sure, they both lean towards lovely temps and a hearty mix of rain + sunshine, but beyond that, they are, admittedly rather different creatures.

And yet…

Much like opposite sides of a colour wheel that compliment and have a natural affinity for one another, so too do spring and autumn jive surprisingly well.

And I am not just talking about Springoween (awesome as that is!).

The present season of spring starts or recharges much of the natural world anew and autumn witnesses its eventual demise. One houses Beltane, the other Samhain.

Mid-spring and mid-autumn are linked by the poignant fact that both are highly liminal times. Periods of transition and change, when the veil between the world thins and, in some instances, reality can be perceived differently or feel altered in various respects.

Both time and places can be liminal. In the case of the latter, they are often called liminal spaces – though this term, can somewhat confusingly (especially for those who are new to the concept of liminality), also be applied to liminal time periods.

Like many a modern word, “liminal” has its roots in ancient Latin. Stemming in this instance from “limen”, which means threshold.

Practitioners of witchery, Paganism, and magically inclined paths often view liminal times as being a threshold between this world and that of the next, and/or of spirits, fairies, elementals, and other beings that are both of and outside of our own mortal realm.

Liminal times (including the annual solstices and equinoxes, cross-quarter dates, and leap years) are exceptionally well suited to working and communicating with ancestors, the departed in general, faeries, spirit guides, and other entities of a nonhuman nature.

As well as a terrific period in which to engage in acts such as meditation, astral travel, divination, hedgeriding, spellwork, sacred rituals, dumb suppers, visiting burial grounds, and starting or wrapping up shadow work journeys.

In the Northern Hemisphere, many view Samhain as the most liminal chapter of the year. I hold this view myself, but have long felt that at least a few other points in the calendar came quite close to Samhain on the liminality front.

Samhain’s partner sabbat (that is to say, the sabbat that sits directly across from it on The Wheel of the Year and which occurs in the Southern Hemisphere as we are celebrating its partner sabbat on this side of the globe) is Beltane. As such, there is a great deal of liminality to this sacred Pagan date.

Now, Autumn, I hear you thinking, this is interesting and topical (given that many who observe it will be celebrating Beltane tomorrow), but what does it have to do with the book that this post provides a detailed review for?

Excellent question, my inquisitive friend.

Given the liminal nature of the days surrounding and housing Beltane, it is natural to think about and work with the spirit world (be it in literal, archetypical, or metaphorical form).

One of the most engaging, well-researched, and delightful books I have read on the subject of some of the entities which call the other side of the veil home is Susan Owen’s highly acclaimed, Ghosts: A Cultural History.

This in-depth look at the history of spectres was first published in 2017, making it a relatively young book still.

While it will no doubt hold particular appeal for many a fellow witch/Wiccan/Pagan, The Ghost: A Cultural History is in no way targeted specifically towards this audience.

Instead, this book is a historical peek behind the curtain – or would that be the white bedsheet? – at how the concept of ghosts has impacted and shaped history, literature, art, and daily life in general for many a century now.  

Book Specs

Name: The Ghost: A Cultural History

Author: Susan Owens

Publisher: Tate Publishing

Page Count: 288

Binding: Hardcover (also available in paperback)

A hauntingly engaging look at the history of ghosts… in the United Kingdom

A sleek, elegant cover in shades of mysterious black and equally beguiling white greets the reader as they approach The Ghost: A Cultural History by Susan Owens.

Though not a huge book in terms of page count, this title has some heft to it thanks to the thick, high-quality cover and paper that the pages themselves are printed on.

Make no mistake, this is a beautiful-looking book. It is one which you may be inspired to not only post a cover shot of on social media, but to display prominently on a bookshelf, coffee table or elsewhere in your humble abode.

The title of this book would, at the onset, lead most readers to assume that The Ghost: A Cultural History cast a wide net in terms of the geographical locations it covers.

However, for all intents and purposes, the focus of this book is squarely on the history of ghosts throughout the British Isles.

Occasional mentions of ghostly happenings in continental Europe and other international locations are made throughout the book. However, again, the United Kingdom is where we find ourselves for the bulk of The Ghost: A Cultural History’s 288 pages.

The Brits have a long-standing history of ghosts. Throughout the UK, apparitions have made countless appearances in literature, art, plays, films, folklore, the popular imagination, and the lives of many a living soul – both past and present – alike.

Though I do think a more accurate subtitle for this book would have been something along the lines of “A British Cultural History” or “The British Ghost”, I understand that it may not have appealed to as broad an audience had it been billed outright as such.

I would not call the title false advertising per se, but do feel that the omission of wording pertaining to the UK or otherwise specifying that this book is not a global history of ghosts would have been a more factually accurate approach.

Putting that point aside and diving straight into this book, it is easy to quickly fall head-over-heels for The Ghost: A Cultural History by Susan Owens.

As this book touches on, even in the fast-paced, electronically driven 21^st century, ghosts – or, depending on who you ask about the subject, the archetype of apparitions – are still with us in a litany of forms. And, likewise, ghost sightings show no signs of slowing down.

Whether ghosts spook, terrify, thrill, delight, perplex, comfort, or amuse us, there is little denying their ability to weather the passing of time, pervading religious views, and scientific scrutiny alike.

Nor can one easily discount the inspirational springboards – not to mention money-making potential – ghost sightings, haunted locations, ghost stories, and other spirited going-ons have long provided for innumerable books, plays, movies, works of art, and Halloween, over the course of time.

This book does not set out to prove or disprove the existence of the spectral entity that we generally refer to as ghosts. Nor, by any means, is it a ghost hunting how-to guide.

The Ghost: A Cultural History instead presents a relatively unbiased look at how ghosts have impacted and influenced British culture for many hundreds of years.

Arranged chronologically, this title brings ghosts to life, so to speak, via not only historical accounts and the author’s own insight, but also through a vast array of cultural figures whose work tackled the subject of ghosts in one form or another.

No less illustrious names than William Blake, Shake sphere, Mary and Percy Shelley, Samuel Pepys, Henry James, Emily Bronte, Dante Gabriel Rossetti, Wilkie Collins, and – naturally – Charles Dickens, amongst others, all visit us from the other side of the veil care their own words and works.

In addition, one finds a curated selection of relevant artwork from centuries past right on up to our own lifetime housed in this book.

Beginning in the Middle Ages (although ghostly happenings during earlier ages are touched on at times as well) and floating straight on into the start of the 21^st century, The Ghost: A Cultural Review is a riveting exploration of how and why ghosts have embedded themselves so much in the lives and minds of Britons for a great many years now.

This book examines why that is, where some of our common beliefs about ghosts arose from, how the concept of apparitions has changed over the years, and ultimately ponders why ghosts will not just go gently into that good night which is our collective human history.

In addition, the evolution of the ghost story itself is explored, with due emphasis given to the immense popularity that ghost stories enjoyed during the 1700s to early 1900s. A popularity, which as this book discusses, is still with us in a wide range of forms to the present day.

Throughout The Ghost: A Cultural History a steady course is plotted that shows how the perception and appearance of British apparations have changed over the course of the last millennia or so. And, in doing as much, also asks how it may continue to redefine itself for future generations yet to come.

In this book, author Susan Owens posits that ghosts can be seen as a sort of mirror for a society, its beliefs (both religious/spiritual and secular), customs (including such things as burial attire), and the perpetual question of if there really is something waiting for us on the other side of this mortal coil.

Sandwiched between an introduction and a heartfelt postscript (as well as a bibliography, source notes, and an index), one finds seven chapters (each with a few subchapters apiece) in The Ghost: A Cultural History.

The chapters are as follows:

1. The Living and the Dead

2. Questionable Shapes

3. Ghosts for a New Age

4. Terror and Wonder

5. Appearances and Disappearances

6. Haunted Century

7. Re-inventing Ghosts

As someone with an immense lifelong passion for history, I greatly enjoyed that this book kicks off in the 11^th century and across the course of those seven engaging chapters, leads us all the way up to the 2010s.

I have a particular penchant for history that spans the 18^th to the mid-20^th century, so was especially pleased that Owens paid these periods no shortage of attention.

Delving into (as she does throughout the book in general) the cultural role that spirits and ghost sightings have played throughout those years, as well as how they helped to influence a wide range of artists, writers, playwrights, and plenty of other folks, too.

As we reach the 19^th century, topics such as séances, Spiritualism, and spirit photography are all covered. As one would hope for and expect in a book about the history of British ghosts (or ghosts in general).

Upon getting to the 20^th and 21^st centuries, I really appreciated that Owens explored the shifting face and nature (in some contexts at least) of ghosts as they have been portrayed through mediums such as film, TV, literature, and the internet.

I was also very pleased to see her raise the point that as ghosts began, for a time at least, to hold less cultural sway during the early to mid-20^th century, aliens and the concept of a different forms of life other than our own took hold all the more in (Western) society’s collective mind.  

The Ghost: A Cultural History does a wonderful job of merging scholarly research and a corresponding academic tone with friendly, lively writing that feels akin to a lecture on the history of ghosts from the kind of professor one would instantly adore taking any course from.

How The Ghost: A Cultural History by Susan Owens rates with me

The Ghost: A Cultural History probes deep into the heart of the past to explore why ghosts matter, how they have adapted and changed with time, and what fate ghosts may experience in the thus far unwritten future.

This book is not a sensationalistic, hokey, slapdash, or heavily recycled look at the age-old subject of spirits. Rather, it is a respectful and insightful investigation of the topic that gives ghosts their rightful place alongside the (then) living over the course of many centuries.  

Whether you are a skeptic, firm believer, or rather agnostic when it comes to the possibility of actual phantasms, if one has even the slightest interest in the history and cultural significance of ghosts, this book is for you.

Ghosts and the spirit realm have fascinated me for my entire life. I have experienced what I believe to be ghost/apparition encounters on multiple occasions, and involve both the concept of spirits and the other side of the veil that they inhabit extensively in my spiritual practices all throughout the year.

At this highly liminal time, with Beltane returning here and Samhain reappearing in the Southern Hemisphere, I feel intuitively all the more connected with the spirit realm. Therefore, it does not surprise me that some of my own ghostly encounters over the years have occurred right around this poignant date.

Coincidence? Possibly, but the connection remains all the same and as such, I have come to associate apparitions nearly as much with mid-spring as I do when they take centre stage come October.

Despite its title, as touched on above, The Ghost: A Cultural History is not a global or even single continent-based look at the history of spirits.  

Once you move beyond that, however, this book is rife with thought-provoking discussions, as well as myriad excellent quotes and works of art from some of history’s most famous names. All coupled with a thorough sociological overview of how and why ghosts, despite their ethereal nature, are firmly cemented in our collective conscious.

Working on a scale of 1 – 5, with five being the highest possible rating, I would give The Ghost: A Cultural History by Susan Owens 4.5 stars out of 5.

Have you read The Ghost: A Cultural History? Do you have any ghostly encounters of your own that you’d like to share?

The post Book Review: The Ghost: A Cultural History by Susan Owens appeared first on Witchcrafted Life.

To those of us who bide our time patiently each year for our beloved October, November can bring about a certainly melancholy stemming from the reality that we must begin that long wait over again.

And yet, November’s presence is neither a bad nor an unfortunate thing. Regardless of what the weather may get up to, November is still fall time in the Northern Hemisphere.

In fact, it is the last full month of the present season, which will officially conclude when the Winter Solstice comes calling in December.

Instead of viewing November merely as the first step on the journey until next October, I consciously choose to bask in the lingering afterglow of my favourite month and to celebrate each precious moment of autumn while it is still here.

Since time immemorial, for those in colder climates, fall has often meant a return to heartier fare. One needs sustenance, fortitude, and flavours that both warm the belly and the heart alike as the mercury plummets.

To my mind, few cuisines anywhere on the globe can deliver that quite like the classic offerings that hail from the Celtic lands.

With the nights dropping well below freezing, arctic winds screeching past like frenzied owls, and the near-certain promise of multiple months of bone-chilling winter ahead, November means it is time for me to reach for an especially beloved book once again.

And, moreover, to share some of my thoughts on that very title here with all of you.

The book I’m speaking about is Celtic Folklore Cooking by Joanne Asala.

This title is not particularly new, having first been released in 1998 (I currently own the fifteenth printing, which came out in 2017). Yet, like many an excellent book, it has qualities that make it both endearing and timeless.

As we will soon dive into, Celtic Folklore Cooking is much more than “just” a compendium of excellent Celtic recipes.

This book is also chock-a-block with engaging Celtic folklore, proverbs, and poetry from countries such as Scotland, Ireland, and Wales; and is by far one of the most compressive looks at traditional Celtic cuisine that I have come across.

Book specs

Name: Celtic Folklore Cooking

Author: Joanne Asala

Page count: 384

Publisher: Llewellyn

Binding: Softcover

A feast for the tastebuds and imagination alike

Have you ever walked into someone’s kitchen, be it for the first time or the five hundredth and instantly felt comfortable, at peace, and warmed from the inside out before you’d even eaten a single morsel of food?

Just as some kitchens and the home cooks behind them are able to impart this sense of nurturing serenity, so too are certain books pertaining to the culinary arts.

Celtic Folklore Cooking by Joanne Asala is one of those books.

Asala is the author/compiler of more than 25 books pertaining to folklore, fairy tales, cooking, and traditional customs from various parts of Europe. A native of Chicago, she has travelled across the continent extensively to learn and gather information for her books. This point shines out vibrantly in the depth and scope of knowledge that she imparts throughout Celtic Folklore Cooking.

Clocking in at a touch under 400 pages, this hefty paperback title features more than 200 traditional dishes hailing from the land of the Celts.

While this book does not have any photographs or (save for the front cover) colour illustrations, it does house a selection of charming black and white illustrations that accompany some, but not all, of the recipes and tales that this engaging book includes.

No doubt Celtic Folklore Cooking would have been an even more captivating book with colour photos and/or illustrations. Yet, the strength of the author’s writing and the breadth of fascinating folklore covered here adds proverbial colour to each delightful page in its own right and as such, I rarely find myself longing for photos or drawings when reading this book.  

On top of the 200+ dishes included in this cookbook, one also finds an enchantingly selection of folktales, poems, proverbs, and customs hailing from traditional Celtic lands, such as Scotland and Ireland.

Before we go any further this review, I should mention that though this book will find favour with many a witch, Wiccan, and Pagan, it was not written solely for that audience.  

And while Asala begins her introduction by stating that, “The goal of Celtic Folklore Cooking is to help you select foods to serve at your celebrations of the Sabbats and Esbats”, the dishes and captivating folklore contained within this book can just as easily be utilized for every other day of the year as well.

Celtic Folklore Cooking is a culturally rich, expansive, captivating look at the traditions and history of Celtic cuisine and is bound to appeal to a wide range of readers, both inside and out of the Pagan/witchy sphere.

For those who fall under the former header, you will be interested to know that the author does make a point of mentioning which Pagan sabbats she feels best suit each recipe in the book.

Broadly speaking, I agree with the majority of her choices for corresponding sabbats and if anything, wouldn’t so much change her suggestions as add on an additional sabbat or two in some cases.

Of course, these recipes – like nearly any recipe, for that matter – can be utilized whenever you desire, be it for the sabbats, esbats, or otherwise.

Celtic Folklore Cooking is arranged into the following nine chapters:

-The Celtic Wheel of The Year

-Beverages (which includes recipes for numerous homemade alcoholic beverages such as Mead, Blas Meala, Welsh Posset Cup, Eggnog, and Wassail)

-Breads, Porridges, and Breakfast Foods

-Milk, Eggs, and Cheese

-Soups and Stews

-Vegetables

-Fish, Shellfish, and Seaweed

-Meat and Wild Game

-Desserts

In addition, there is an introduction, bibliography and related reading, glossary, and index. The latter of which is especially handy if you’re keen to look up recipes for a specific ingredient.

Speaking of which, a good many of the ingredients called for in these recipes are classic ones that strive to mirror the traditional cuisine of the Celtic nations.

In the very earliest days of our relationship, Tony and I lived in Ireland (ROI) for a couple of years. Getting to experience both contemporary and traditional Irish firsthand in its homeland stands out as one of my most treasured memories from our adventure in the Emerald Isle.

Each time I dip into Celtic Folklore Cooking, I feel as though I am reliving our time in Ireland and the incredible food we got to experience there.

The recipes in this book are accessible and welcoming. Many are relatively simple and quite a few are fairly budget-friendly.

This book is not geared specifically to any one type of diet (such as vegetarianism or eating gluten-free, for example) and, as with the bulk of generalized cookbooks pertaining to almost any cuisine, if you follow a specific type of diet for medical, cultural, religious or other reasons, some of the recipes in Celtic Folklore Cooking may not work for your dietary requirements.

Or, perhaps, in certain instances, you could alter them so that they were able to work. Switching out, say, animal dairy products nut, plant, or seed options instead. Those (like myself) who eat Low FODMAP could also make certain substitutions, such as using the green parts of scallions/spring onions or leeks in place of onions.

These are just a couple of examples, of course. You know your diet and health best, so should hopefully be able to determine if some of the recipes in Celtic Folklore Cooking are able to be adapted to your specific dietary needs or not.

If the answer is “not” across the board, that is 100% okay, naturally, and you may still enjoy the culinary history and folklore that abounds in this book all the same.

It is worth noting that there are some ingredients in this book that were not native to the lands the ancient Celts inhabited and others that have become commonplace mainstays of these corners of Europe in more recent centuries.

This point doesn’t bother me personally, as I feel it is generally unrealistic to expect most 21^st century cookbooks to ask readers to solely use ingredients that were available in a given part of the world during a specific long-ago time period.

Another element of this book that does not trouble me, but which might put some readers off a touch is that not all of the recipes are presented in the same format. Some are arranged in paragraph form, while most are laid out in the usual contemporary way of presenting recipes (as in the photo above), starting with their ingredients and then how to prepare and cook a given dish.

I am a massive proponent and long-time adoptee of eating traditionally/ancestrally, eschewing heavily processed foods whenever possible and seeking out healthy local offerings for as much of what we consume as is realistically (and economically) possible.

This book embraces traditional foods, cooking methods, and meals that, in many instances, take longer than a few minutes to bring to the table.

That isn’t to say they are challenging or require ages to prepare or make. With relatively few exceptions this is not the case.

Instead, they are homey, classic dishes (think soups, stews, and hot breakfast cereals, for example) that benefit from decent cooking times and which may taste even better when reheated in the following days after they have been prepared.

These are recipes that encourage you, if so desired and if such is feasible, to live (or to live all the more) in tune with the seasons and the foodstuffs that are most readily available through each chapter of the year.

As you lap up the recipes in Celtic Folklore Cooking, you are treated to a multi-course meal for the mind via the delightful array of folklore tales, proverbs, poetry, and general folk wisdom that Asala has generously peppered throughout the book.

Even if one opted to never cook a single recipe from this book, the Celtic lore, charming folk wisdom, and history that call this title home would make reading Celtic Folklore Cooking more than worth it.

Celtic Folklore Cooking is a terrific year-round cookbook. It boasts an impressive selection of over 200 delicious recipes from Ireland, Scotland, Wales, and Cornwall.

This point is especially refreshing, as it is fairly common for books pertaining to Celtic culture (be it Celtic cuisine or otherwise) to lock their sights on Ireland and budge nary an inch from that one country, when in truth the lands that the Celts called home spanned multiple modern-day countries.

How Celtic Folklore Cooking rates with me

Cooking, the culinary arts, and food history have been some of my greatest passions in life since I was a young child.

Even though the scope of my own diet is profoundly restricted due to needing to eat for/around several different chronic illnesses and I have a metabolism that’s so slow it makes a snail look like a supersonic rocket by comparison, nothing life has thrown my way has dulled this important interest.

I am the kind of person who reads cookbooks with the intensity and interest many reserve for their favourite novels.

Toss not only culinary history and traditions but also folklore into the mix and my head nearly explodes with joy!

Celtic Folklore Cooking by Joanne Asala ticks each of those boxes and more. It is wonderfully well suited to Pagan/witchy individuals, while being no less appealing or accessible to those who are neither of those things.

The layout of its chapters invites you to read this book cover to cover, eager not only to see what recipe comes next, but to savour the captivating Celtic folklore, proverbs, and traditional writing this book houses in abundance as well.

There are many excellent books on Irish, Scottish, Welsh, (broadly) Celtic and similar cuisine to be had these days, but few marry folklore and wisdom with 200+ recipes – nor do so with the same level of knowledge and passion that Asala liberally garnishes each page in this fantastic book with.

Learning more about the traditions and/or folklore associated with each recipe in this book further endears it to my heart – just as I’m sure it will for many fellow readers as well.

This is the kind of cookbook that you don’t just read once, try out a recipe or two from, tuck it away on a shelf and pretty much forget about.

It is an engaging, beautifully written, well-presented book that honours the culinary traditions of the Celtic lands and presents a true feast’s worth of inviting recipes that are sure to appeal to a wide range of people from around the globe.

With autumn out in full force and winter barrelling around the corner, this is the kind of book I reach for time and time again, not only for our own daily meals, but also when we entertain company and when I’m asked to bring a hearty dish to a meal elsewhere.

In addition, I love that as someone whose ancestry is comprised almost exclusively of Celtic, Norse, Germanic, and Slavic origins, the recipes in this book are likely not far off from some of those that were enjoyed by many generations of my ancestors.

Not to mention the fact that this book is many a kitchen witch’s dream cookbook – particularly if you work with The Wheel of The Year and/or British, Scottish, Welsh, Irish or similar branches/traditions of Druidism, Wicca, and/or witchcraft.

If I could only pick one book about Celtic cookery to work with for the rest of my days, Celtic Folklore Cooking by Joanne Asala would surely be it.

And as such, it warms my heart every bit as much as one of the truly delicious traditional Celtic recipes it contains to bestow my highest rating on this book.

Working on a scale of 1 – 5, with five being the highest possible rating, I would give Celtic Folklore Cooking 5 stars out of 5.

★ ★ ★ ★ ★

Have you read Celtic Folklore Cooking by Joanne Asala? Are you a fellow fan of traditional Celtic cuisine?

The post Book Review: Celtic Folklore Cooking by Joanne Asala appeared first on Witchcrafted Life.