While these words can certainly apply to music itself, this line is sometimes used in the context of death, where for many it takes on an even deeper and more poignant meaning.

Globally, as of 2020 (it is possible that recent world events such as the Covid-19 pandemic have upped these numbers further), approximately 150,000 people pass away each year.

Cardiovascular disease is the leading cause of death, though, naturally, countless others contribute to that total as well.

This number is substantial unto itself, but when you multiple it by 365 – the number of days in a non-leap year – it skyrockets to a staggering 54,750,000.

You read that right, more than fifty million souls cross from this side of the veil to the next annually.

Yet for all of the death that occurs around us daily, in many parts of the 21st-century world, we remain relatively far removed from this inevitable act – save perhaps for when someone in our immediate life passes.

I could write from now until my own time is up about how I feel we as a society should return to a far greater connection with, and comfort level surrounding, the act of death and our own mortality. However, this post is neither the time nor the place to open up that Pandora’s box of a serious topic.

Instead, it will focus on a pocket letter (the second that I made following a lengthy six-year hiatus from creating this form of paper crafting project; with the first being my Cute Pastel Hued Happy Springoween Pocket Letter last April) that I recently created to send to a dear friend who lost one of their very closest family members.

Out of respect for that individual and their deceased loved one, I will adhere to the strictest of anonymity for both of them.

What I will happily and openly share with each of you is this sympathy pocket letter.

At first glance, it might look quite chipper and cheerful. A far cry from the dark tones and sombre subject matters we often associate with cards and gifts given when someone passes on.

There are, unquestionably, instances when those more solemn approaches are exactly what is needed.

Yet, at the same time, there is no shortage of others when it is just as appropriate to focus on celebrating the life and memory of those who have left this mortal coil.

I did not meet the loved one that my friend lost. I knew a little about them, though, and know quite a bit more about my friend.

They, like myself, have a naturally upbeat spirit and I suspect that their late family member did as well.

I tapped into this point (while also turning to themes that my friend and/or their relative was a fan of) when putting this pocket letter together.

To accompany the PL itself, I selected nine small gifts (one for each pocket of this PL) for my friend.

Some of them were a touch too big to fit into the slots on the clear plastic trading card sleeve itself, so I opted instead to wrap my presents separately and send them along in the same package as the sympathy pocket letter itself.

Death is an extraordinarily personal thing. How we each feel about and interact with this most human of experiences varies from one individual to the next.

At the same time, however, there are certain universal qualities to the act of death and how those we leave behind often feel, behave, and choose to move forward following the loss of someone that they hold dear.

Assuming the deceased was liked or loved (and, you know, sometimes even when they might not have been everyone’s favourite soul), a powerful sense of grief often hits us with the force of a meteorite.

And yet, that does not necessarily mean that as we are wrapped in searing pain and powerful longing we cannot find the ability to celebrate the life, accomplishments, legacy, and memory of those who have passed.

I am a big fan of celebration of life ceremonies or, if such is not possible for whatever reason, simply reflecting on the life of someone who is no longer with us.

There have been numerous times when I’ve held personal celebration of life remembrances both for people in my own circle and for various famous individuals that I admire.

Sometimes, I have also engaged in witchery acts pertaining to both helping the dead to cross over in peace, as well as to aid in the comfort of those they have left in the land of the living.

In this instance, I did not feel that either was called for and so opted instead to pour my focus into creating a lovely pocket letter to send to my friend that conveys a sense of both sorrow + grief and of the happiness that the deceased brought to their lives for multiple decades.

Sweet and cheerful celebration of life sympathy pocket letter

At first glance, one might peg this pocket letter as having anything to do with themes of death.

Upon closer inspection, however, elements that in much of the world have long been associated with death, funerals, and remembrance emerge.

To begin with, dark hues enter the picture via hits of black and navy blue.

Flowers and trees, two of the oldest and most universal connections to both sympathy and remembrance appear here in multiple spots.

Birds, another ancient symbol of death, peace, hope, and brighter days ahead also pop up. In this case, three times in total.

Further, butterflies which symbolize much the same (as well as happiness and transformation) are also tucked throughout this pocket letter.

Various cultures also associate rabbits and/or hares with death or see them as an omen that loss may soon follow.

Arguably far more see rabbits as a sign of hope, positivity, and optimism.

Either way, I feel there is often a place for bunny or hare imagery in the context of death and so decided to include a depiction of this precious creature here, too.

As well, the words that were used are ones that I felt suited the individual who passed, their grieving family, the promise of brighter days ahead, and celebrating the life and spirit of that particular person.

The central sentiment of “For You” indicates that this PL is a gift for my friend – and anyone else in their life that they may opt to show it to as well.

Personally, since childhood, I have associated both the moon and the sun with death (as have many cultures across the span of human history).

The sun is often viewed as the more upbeat of these two celestial bodies, so in keeping with a sense of positivity, I made sure to include a sweet little anthropomorphic sun here, too.

The overall colour palette is one that I feel conveys a sense of comfort and serenity, while at the same time also being chipper and positive. Reminding the viewer that death and life will, so long as hearts beat on this planet, coexist in harmony.

Such has always, and (presumably!) will always, been the case. There is beauty, solace, and inspiration in this fact, and I used each of those things to help propel the creation and overall design of this pocket letter for my sweet friend.

Be it in the context of sympathy/loss or otherwise (as this design certainly lends itself to myriad other occasions and reasons), if you would like to recreate or simply take some general inspiration from this project, read on for a complete list of materials required to replicate this sympathy pocket letter.

Products used to make a comforting, meaningful sympathy pocket letter

-Nine pocket trading card sleeve – Platinum Series 9-Pocket Trading Card Pages from Ultra Pro

-Black cardstock

-Textured (or plain) light to medium pink cardstock

-Metallic silver cardstock (light or medium grey cardstock could be used here instead)

-All distressed texture print papers (red/pink, green, and blue, respectively) – The Old World Mat Stack 4.5” x 6.5” Paper Pad from DCWV

-“For You” cut apart sentiment piece – Paige Evans 23 Bungalow Lane Paper from American Crafts

-“Living in the Moment” cut apart word strip – Diamond Layne Sophisticated Paper from Penelope Dee

-“Blessings” cut apart word strip – Antiquities Collection Beloved Paper from Kaisercraft

-“Pretty” cut apart word strip – Vintage Girl Vintage Cards Paper from Photo Play

-Decorative edge scissors – Paper Edgers Sunflower Scissors from Fiskars

-Mini stapler (to attach ribbon pieces to the lefthand side of the PL) – Tiny Attacher from Tim Holtz

-Dark red/brick ink – Stop Sign Ink Cube from Pink & Main

-Olive green ink – Crushed Olive Distress Ink from Tim Holtz

-Turquoise/teal ink – Tumbled Glass Distress Ink from Time Holtz

-Various chipboard stickers (flowers, trees, etc) used throughout this project from an unnamed package of Crafts (Dollarama) brand stickers

-Various die cut pieces (photo corners, birds, flowers, etc) – Handmade Die Cut Cardstock (Pieces) from K & Company

-Various die cut pieces (tags, wagon, sun, etc) used throughout this project from an unnamed package of American Crafts Dear Lizzy die cuts

-White flower (daisy) crochet trim – Vicki B Wraps from Bo Bunny

-Pink velvet ribbon – {Noteworthy} Addie Trims from Making Memories

-Pale olive green ribbon – {Noteworthy} Addie Trims from Making Memories

-Turquoise/aqua blue crochet trim – Botanical Fancy Ribbon from Fancy Pants Designs

-Navy blue seam binding (or ribbon)

-Narrow silver and black ribbon

-Aqua/blue and white feather print washi tape

-Dimensional foam, pop dots, or similar to elevate some of your layers

-Adhesive, such as a tape runner, of your choice (I often use my Scotch Tape Glider)

How to make your own sweet and cheerful celebration of life pocket letter

Much as with my Cute Pastel Hued Happy Springoween Pocket Letter earlier this year, I feel that the majority of pockets are fairly easy to get the general design gist of simply by looking at them.

That said, some pointers for recreating this specific sympathy pocket letter include the following:

-For each of the three rows of pockets, use the same background cardstock or paper colour (pink for the top row, black for the middle row, and blue/aqua for the third row).

-In the same vein, I opted to repeat the same background paper colours on two out of three pockets on each row, only switching things up with the central pockets.

-While the pockets on this kind of trading card sleeve do have some room to them, there is a rather finite amount of space in each of them.

As a result, if you wish to include bulky and/or larger sized components on your pocket letter – such as, in this case, the central premade die cut frame piece and the white crochet flower trim – it is usually best to adhere them to the top (outside) of the plastic sleeve.

-There are scores of different ways to dress up the “binder side” (the side with three holes) of your trading card sleeve. And, by the same token, numerous ways to attach embellishments and trims to this area of your pocket letter design.

Some of my favourite ways to attach trims, stripes of paper or cardstock, etc to the left-hand side of my pocket letter include sewing, stapling, tying them throughout one or more of the holes, a strong liquid adhesive (hot glue tends to melt the plastic sleeve, however, so I would not use that directly on the clear plastic of your trading card sleeve), brads, eyes, and sturdy washi tape.

-If you wish to conceal the area where you have attached your side trims (etc), you can likewise do so in a number of ways.

These include, but are not limited to, topping that spot with any of the following.

-One or more bows

-One or more flowers

-Fabric or paper leaves

-Large rhinestones

-Large buttons

-Flat back cabochons

-Die cuts

-Chipboard pieces

-Good sized stickers (you will likely want to add further adhesive to the back of the sticker to help it stay securely in place)

-Washi tape

-Metal charms

-Die cut wooden pieces/charms

-Resin/acrylic/(other) plastic charms

-Feathers

-Small bells

-Pop-poms

-A tiny shaker pocket in the shape of your choosing

-If you were making a celebration of life/sympathy/remembrance pocket letter for someone else and did know a fair bit about the deceased, you may wish to weave more of that individual’s interests or other elements pertaining to their life into the design of your PL.

The melody does in fact linger on

Largely regardless of one’s personal spiritual path and beliefs (or lack thereof) regarding what may happen to us when we die, most of us can readily acknowledge the grief and profound impact that losing someone we care about often causes.

Though that individual no longer walks amongst the living, their memory is recalled by those who knew and loved them.

The ability to easily record images and videos (not to mention digital words) of those we care about is a very new happening in the course of human history.

Thanks to modern technology, in some cases at least, people can be remembered not just by word of mouth and well-guarded memory, but also via things such as photos, videos, and social media.

This helps, I find, the deceased to feel all the more like they are still here with us and am very grateful that these forms of technology exist, therefore enabling us to remember the departed with even greater clarity.

Prior to the advent of such inventions, the only ways a person’s likeliness could be visually recorded was in some form of art (painting, sculpture, carving, etc) or the creation of a death mask.

I am strongly of the mind that no matter if a person’s name echoes down through time or not, the universe remembers us as we existed.

Everything in said universe contains energy and, as per the First Law of Thermodynamics, while energy can be changed from one form to another, it cannot be created or destroyed.

In other words, all of the energy that has ever been or will ever be in this universe already exists. It may be recycled, if you will, in various capacities, but it never truly disappears.

Nor, does the melody that softly plays throughout the heavens above for each and every one of us who has ever lived and who will, inventible, pass away in due course.

I know that my friend and their family will long cherish and hold tight to the memory of the relative that they lost.

And that, if at some far-off distant point, that person’s name and recollections of them do eventually fade away, this individual’s life force will still continue existing in one form of energy or another.

Long before modern science, the ancients knew, understood, and appreciated that we were never fully gone and there is no reason why we should lose sight of this fact in the 21^st century.

Have you ever made a sympathy pocket letter? What is one of your favourite ways to offer comfort and support to somebody when they lose a loved one?

The post Sweet and Cheerful Celebration of Life Sympathy Pocket Letter appeared first on Witchcrafted Life.

While purple has strong ties to Halloween, (in the Northern Hemisphere) it is arguably most closely connected to spring, followed by summer.

Though lilac season is over for many by this point in the year, plenty of other breathtaking purple blooms continue to dot the landscape. From irises to hydrangeas, pansies to orchids, it is hard not to be intoxicatingly drawn towards this most regal of garden hues.

As touched on in the aforementioned post, my mom’s all-time favourite colour is purple.

Keen to make a card to celebrate one of her latest visits to our humble abode, I deep-dived into the purple end of my craft stash and came up with the greeting featured in this post.

Truth be told, at the time of making this card, I still had a fair number of purple-hued products spread out on my desk in my wee craft room.

Not a day goes by that I do not thank my lucky stars for the roof over our heads and the fact that I get to whittle a tiny corner of it out as a dedicated craft space.

However, objectively, it is a rather pint-sized spot and as a result, when I bring out a decent selection of products pertaining to a specific colour scheme, holiday, theme, etc, I often try to make two or more projects with those items before tucking them back in their respective resting places.

While I am being mindful to work with purple a touch more often these days, chances are it will never usurp my beloved usual palette of dark, fall, Halloween, and antique-inspired hues.

And that is all the more reason, I figure, to create multiple projects when I do pull out a summer garden’s worth of purple products.

In addition to purple, some of my mother’s favourite colours include blue, aqua/turquoise, and crisp white. All of which, I should note, look gorgeous on her!

Thick in the heart of sunny season, where nature, fashion, home décor, and sometimes even things like acrylic dishware are rife with these very hues, it felt exceedingly natural to craft with them as radiant sunshine playfully streamed through the quasi-sheer curtains on the sole window in my craft space.

I work with ink relatively often (be it for edging, creating sky backgrounds, stamping, or myriad other uses). However, despite being a huge fan of dry embossing, I do not tend to reach for my embossing folders nearly as often as I should these days.

Pondering this point a little while ago, it struck me that a good part of the reason why is because of the fact that I often like to make larger-sized cards and most embossing folders (let alone those I own) fall short of the size of my card bases.

Really, though, the more I thought about it, the sillier using that point as a means of sometimes keeping my embossing folders on the sidelines seemed. After all, even if a single embossed piece cannot cover most of my card bases, I can still utilize them for a portion of my design.

I was in an inky mood the day I made this card and so set about creating an ombre-esque design with three assorted shades of purple Distress Oxide Ink atop a floral embossed panel of white cardstock.

To up the volume of purple here all the more, I then took dark purple acrylic paint and created some tiny splatters across my embossed and inked panel.

I have to say, I really like how his piece turned out. There is something to its gradient of lush purple hues that calls to mind a stunning summer sunset.

And speaking of sunsets, many of the other colours that appear on this card would be right at home in the summer skies that help guide us gently into the night through this segment of the year.

Though purple, aquamarine, and white are the dominant colours here, nestled amongst them one also finds rich, warm yellows and delightfully upbeat pinky-corals.

If these hues don’t scream summertime, I don’t know what would!

Lovely purple inked and embossed “Together is the best place to be” card

The delicate, yet visually impactful Fine Bouquet Die from Alte & New used here was a gift from an extremely kind and generous friend that I received in early 2021. I have been champing at the bit ever since to use it for the first time.

What better opportunity than a sweetly pretty summertime greeting?

I cut two copies of this die out. One in white, the other in dark purple, concealing the spot where they meet with some fussy cut blooms from the same floral print paper that appears here in a background layer.

In addition to its use on the embossed panel, ink appears here multiple times along the edges of most of the paper and cardstock layers.

Though a sizable percentage of my paper crafting projects involve at least a little bit of metallic and/or glitter paper, there are certain times – such as this project – where neither of them appears.

However, shimmer and sheen are not missing entirely here, as the white pearl + clear rhinestone adhesive flourish piece adds a lovely background hit of precisely that to this upbeat greeting card.

The sentiment cut apart piece reflects how wonderful I find spending time with my mom to be. Any chance we get to visit is not just a good day, but a great one, and I am incredibly thankful that we live a mere hour’s drive away from one another.

This means that (save for the initial months of the pandemic) we are able to see one another on a fairly regular basis and it is not uncommon for her to come visit for a few days at our house.

Interestingly, as do not have the space for a dedicated guest room, when my mom stays overnight here she sleeps on a high-quality inflatable bed that gets put on the floor of my craft room.

Therefore, prior to them coming together to create this card, the elements at work here would have kept my mom company while she slumbered in that area of our house. (Love that thought!)

Should you wish to replicate this card yourself or simply take a few design ideas from it, read on for a complete list of products used on this lovely purple card as well as step-by-step instructions that will guide you through creating one of your own.

Products used to make this sunny season perfect purple card

-White cardstock

-Light purple cardstock

-Dark purple cardstock

-Tone-on-tone light aqua floral print paper – Vintage Summer Basics 1935 from Maja Designs

-Multi-coloured floral print paper – Hello Baby 3”x4” Journaling Cards Paper from Echo Park

-Cut apart “Together is the best place to be” sentiment piece – ???

-Floral outline die – Fine Bouquet Die from Alte & New

-Floral embossing folder – Floral Reflections Cut and Emboss Folder from Spellbinders

-Teal ink – Memento Dew Drop Teal Zeal Ink from Tsukineko

-Three different shades of blendable purple ink – (I used) Distress Oxide Ink in Milled Lavender, Seedless Grape, and Wilted Violet from Tim Holtz

-Dark purple acrylic paint (gouache could be used here instead, if so desired) – Violet Pansy Shiny Acrylic Paint from Folk Art

-Greyish-white pearl and clear rhinestone flourish (Unspecified product name from the Dollarama brand “Crafts”.)

-Purple crochet trim – Noteworthy Addie Trims from Making Memories

-Dimensional foam, pop dots, or similar to elevate some of your layers

-Adhesive, such as a tape runner, of your choice (I often use my Scotch Tape Glider)

How to make an inked and embossed “Together is the best place to be” card

Begin by making a white card base.

Cut a piece of Maja Designs Vintage Summer Basics 1935 paper a little bit smaller than the size of your card base. Ink all edges with Teal Zeal ink. Adhere to card base.

Cut a piece of light purple cardstock a little smaller than the previous layer. Ink all edges with Seedless Grape Distress Oxide ink. Adhere to previous layer.

Cut a piece of multicoloured floral print paper, likewise, a little smaller than the last layer. Ink edges with Teal Zeal Ink. Adhere to previous layer.

Next, cut a piece of white cardstock a little bit bigger than the dimensions of the Spellbinder’s Floral Reflections Cut and Emboss Folder.

Use the three shades of purple Distress Oxide Ink to make an ombre-esque blended ink panel.

Once the ink is dry, take your purple acrylic paint and lightly splatter small droplets across this panel.

After the paint has dried, place this piece of inked and paint-splattered cardstock into the Floral Reflections Cut and Emboss Folder and run it through your die cutting machine.

Back that piece (as it has small cut-out sections) with white cardstock.

Cut a piece of light purple cardstock slightly bigger than the embossed panel. Adhere embossed panel to purple cardstock, in turn adhering the purple cardstock to the previous layer of your card design.

Cut out the sentiment panel, ink all edges with Teal Zeal ink and attach this piece to the inked + embossed panel using dimensional adhesive (such as Pop Dots).

Adhere the pearl and rhinestone flourish piece to the lefthand side of the card design.

Using the Fine Bouquet Die from Alte & New, cut one piece in white cardstock and another in purple cardstock. Attach these pieces, as shown, along the lefthand side of your card (on top of the embellishment flourish).

Fussy cut a cluster of flowers from the Hello Baby 3”x4” Journaling Cards Paper from Echo Park. Adhere it where the two Fine Bouquet die cuts meet in the middle of the left-hand side of the card.

Lastly, cut two equal-sized pieces of light purple crochet trim. Place each one diagonally across the lower left and upper right-hand corners of all of your card layers (save for the card base itself), as shown.

And voila, just like that you have an easy (and relatively quick) card that is sweet, fun, and ever-so-lovely!

This design – either with the same sentiment or one that better suits the occasion at hand – lends itself well to a wide array of events, including – but definitely not limited to – Easter, Mother’s Day, birthdays, weddings, anniversaries, baby showers, new babies, and retirement.

It also makes a great “thinking of you”, “missing you”, congratulations, or even sympathy card.

Welcoming August back into our lives

Rather mind-blowingly, we have reached the year’s eighth month already. In a matter of days, we will hit the halfway point of summer.

Having just observed Lammas/Lughnasadh two days ago (though, as with most of the Pagan sabbats, I usually celebrate for multiple days in a row and am continuing to do so as this week unfolds), my head and heart are both starting to shift towards fall.

Not, mind you, that they don’t already focus on that season the whole year through – because they most definitely do! (As things such as my #MakeHalloween365 hashtag and year-round festive fall/Halloween projects attest to).

However, as much as I madly adore autumn, I am grateful that we still have a few weeks’ worth of sizzling hot (snow-free!) summer to enjoy before the telltale nip of fall returns to the air and the world is suddenly sweater-clad and frost-covered once again.

Chances are that a sizable percentage of the paper crafting projects I’ll be sharing here between August and November will be fall/Thanksgiving/Mabon/Halloween/Samhain themed.

As most of those creations have yet to be made, it is hard to say to what degree purple will factor into them.

I am in the mood, as I type these words at least, for a fun, classic Halloween palette this year, so I could easily see purple potentially appearing in some of my October 31^st related projects. Time shall tell!

Right here and now though, with a landscape that still looks far more like the start of summer than the end of this season, I will keep delighting in the mermaid-worthy hues of palettes such as the one used on this “just because” handmade card for a little while longer.

Once you’ve pulled out a slew of items for a project, do you tend to make additional creations with them as well, too? When does summer start to give way to fall on your end?

The post Lovely Purple Inked and Embossed Together is the Best Place to Be Card appeared first on Witchcrafted Life.

Does this apply to everyone? Certainly not, but it has been my experience that no shortage of people do tend to adore the national holiday that transpires around the same time that they entered the world.

In terms of national/secular holidays, Canada Day has long been a firm favourite of mine. Not the top contender (that, as most of you likely know, goes eternally to Halloween / Samhain ), but one that I often rank as my third most beloved (non-Pagan/witchy) holiday.

Both Canada – as the official nation it has been since 1867- and I came into being during the exquisitely warm month of July.

By the time I emerged on the scene in 1984, Canada was a fully established, thriving nation with a strong economy, ever-expanding population, and a magnificent melting pot culture that has, thankfully, only continued to become my diverse with each passing year.

As a youngster, not only did Canada Day serve as the closest holiday to my birthday, but it was the first one to transpire after the school year let out.

In terms of the academic side of things, I usually adored school and was, humbly, a very good student. However, like most youngsters, come late June, the summer break could not get here quickly enough for me.

At the time, where I lived, school wrapped up sometime during the last week of June.

Canada Day returned a few short days later and always felt to me like the true start of the coming two months of school-free enjoyment that stretched out like a glistening ocean embracing the distant horizon.

There was a heady, palpable excitement to both the start of summer and the beginning of our breather from textbooks, teachers, and homework.

Though summer often whizzed by faster than frisbees we threw to one another throughout the roasty-toasty months, when school wrapped up and July began, it felt for a few brief, enchanting moments as though we had an eternity’s worth of time.

Come Canada Day on July 1^st, like many families, mine would usually fire up the barbeque or roast hotdogs, ears of corn, and marshmallows over an outdoor fire pit.

We donned red and white (the colours of the Canadian flag), made our way down to a public park where the town put on festive activities (including providing for free generously sized – and very tasty, as I recall –  slices of frosted vanilla layer cake with the words “Happy Canada Day” piped in red icing on its saccharine surface).

Live music wafted from the mid-century bandstand at that same park. Beachgoers frolicked merrily in the large lake across the street and many a soul, both young and young-at-heart, went in for the free face painting that the town also provided. Patriotic Canadian flags then temporarily emblazed on plenty of cheeks throughout the day.

As night fell, the sultry warmth that is July’s perpetual dance partner enveloped us all.

We would then clamber to find a free patch of sand on the beach or grass at a different park adjacent to that beach and turn our gaze skyward for the beautiful fireworks show that would soon unfold.

This generally happened around 10 pm and the sight of the fireworks being launched high into the air above the warm waters of Okanagan Lake, their multi-coloured hues reflecting with a magical charm on the water’s surface below, was hypnotically wonderful.

Once the fireworks had concluded, many folks leisurely made their way home. Some would carry on to bars, late-night restaurants, friend’s houses, or their own backyards to keep the festivities going.

Others stayed put, stoked small bonfires on the beach and let their cheerful chatter dot the beautiful night every bit as vibrantly as the fireworks we had just witnessed.

Then as now, I love(d) Canada Day.

We here in this country might not always wear our patriotism quite as boldly on our sleeve as those in some other countries are apt to do, but most of us cherish our homeland – or adopted country – something fierce and appreciate that July 1^st gives us an opportunity to let that adoration ring out for at least one day of the year.

Though Tony and I do not have any major plans for it, I am in the mood for Canada Day big time this year (because, let’s face it, as the pandemic lingers on, just about any excuse to celebrate takes on greater meaning and importance than it may ever have done so prior to 2020).

Two years ago I shared a charming shabby chic red, cream and gold Canada Day card that I made.

This time around, we have retained the red (albeit in a different shade) but opted for a different palette. One that nods its head happily to the Victorian and Edwardian eras, but which is more than timeless enough to ensure it is au courant at the same time.

Beautiful rose-filled true north strong and free card

Much like grilled foods, sizzling hot sand, and exuberant fireworks, one of the things that I will forever associate with early summer is roses.

At most of the homes I lived in as a child and teenager, roses grew either on rickety trellises – their paint peeling and aged to shabby chic perfection – or in short, sturdy bushes.

The first roses of the season usually took up the reigns from the local lilacs, emerging at some point in May. Though it was by no means uncommon to see both smiling in the springtime sunshine at the same time.

They often got a second wind around early July, their unmatched aroma fanned by the hot summer breeze.

In my mind, roses and Canada Day are rather synonymous – particularly if those sublimely fragrant blooms are red or burgundy. Their hue a delightful nod to one of our nation’s two national colours.

The line “true north strong and free” is amongst the best known and most beloved from our country’s national anthem.

It reminds Canadians far and wide of how fortunate we are to live in this country and of the sacrifices many have made over the years (including during both World Wars) to help ensure that sentiment remained factual.

These words, cut from a sheet of Photo Play Oh Canada Eh! paper, were the jumping-off point for this Canada Day card.

I also took a colour cue from that same festive paper, composing a somewhat darker, more refined colour palette for this celebratory greeting.

In addition to various hues of grey, I employed teal, pale mint green, aged pine green, white, and deep shades of red worthy of the most magnificent of real summer-grown roses.

A slew of die cut maple leaves upped the festive feel of this handmade Canada Day card, as did an adorable background layer of moose print paper that is just too darling for words!

In addition to maple leaves and moose, another element that is often associated with Canada (in no small part due to lumberjacks and lumberjills) is plaid, so a lovely dose of that also joined the team here.

This is an oversized horizontal slimline card, and much like various other oversized projects of mine (such as the delightful Cottage Spooky Cottage Sign that I shared here earlier this year), it was a bit tricky to photograph in my small, rather basic quality lightbox.

Nevertheless, happily, I managed to get a few usable shots in the end, which you see peppered throughout this post.

I adored making this (if I may say so myself) gorgeous card and, in the process, conjuring up many positive July 1^st memories both from my youth and adult years alike.

If you are keen to make your own version of this elegantly festive Canada Day card, read on for a complete list of the products used on this project plus detailed step-by-step instructions to assist you in doing just that.

And, should you dig the design by not wish to take this paper crafting project in a Canada Day direction, you could easily swap out the sentiment for one that worked for a different occasion. Say as a birthday, anniversary, Mother’s Day, Father’s Day, Thanksgiving, Christmas, or even Valentine’s Day card.

In addition, you could easily use this card design for things like thinking of you, just because, get well, missing you, and congratulations (very much including congratulations bestowed on those who have, or soon will, achieved Canadian citizenship).

Products use to make a Victorian inspired Canada Day card

-Charcoal grey (or black) cardstock

-Medium grey cardstock

-Light-medium grey cardstock

-Dark red (or burgundy) cardstock

-Light mint (or light aqua) cardstock

-White cardstock

-Canadian national anthem print paper – O Canada True North Paper from Photo Play

-Moose print paper – O Canada Eh! Paper from Photo Play

-Teal plaid paper – the backside of the same moose print paper from Photo Play

-Two different ornate oval frame dies, one larger than the other (they do not have to be the same as one another)

-Scallop edge oval die

-Two sizes of scallop edge circle dies (or punches)

-Larger maple leaf die

-Slightly smaller maple leaf die (for the dark red maple leaf in the middle of the card)

-Corner rounder punch

-Teal ink – Tim Holtz Mermaid Lagoon Distress Ink from Ranger (regular or oxide, as you wish)

-Dark greyish-brown ink – Memento Dew Drop Espresso Truffle Ink from Tsukineko

-Two sizes of dark red (or burgundy) paper roses

-Faceted clear buttons – Modern Avalanche Buttons from Bazzill

-Earthy forest (or olive) green hued seam binding

-Dimensional foam, pop dots, or similar to elevate some of your layers

-Adhesive, such as a tape runner, of your choice (I often use my Scotch Tape Glider)

How to make a layered, shabby chic Canada Day card

Begin by making an oversized horizontal slimline card base from dark red cardstock.

Cut a piece of teal plaid paper slightly smaller than the card base. Round both of its bottom corners with a corner punch or corner die, then ink all four sides of this piece with Mermaid Lagoon Distress Ink. Adhere this layer to the card base.

Cut a piece of pale mint (or pale aqua) coloured cardstock a touch smaller than the previous layer. Round both of the bottom corners on this piece and ink all fours sides of it as well, then adhere it to the previous layer.

Next, cut a piece of medium grey coloured cardstock a little smaller the previous layer and round both of its bottom corners, too. Adhere to the previous layer.

Take the moose print paper, cut a piece of it that is (again) a little smaller than the previous layer. Round both of its bottom corners.

Then, cut the moose print paper into a few equal-sized pieces, trimming the pieces down, if needed, to allow a small vertical opening between each piece.

Ink all of the edges on each of the moose print pieces with Espresso Truffle ink. Arrange and adhere them down evenly across the piece of medium grey coloured cardstock.

Using the larger of the two sizes of scalloped circle dies (or a good-sized scalloped circle punch) cut out two circles from white cardstock and two from medium grey cardstock.

Use the smaller-sized scalloped circle die to cut two circles from the “True north strong and free” text print paper.

Arrange the circles starting with the white, then the grey, then the text print layer, so that some of each layer is visible. Adhere the layers together and then (one grouping apiece) to each side of the center of the card, as shown.

We are going to get extra Canadian here next. Die cut two maples apiece from the white, mint green/pale aqua, light-medium grey, and dark red cardstock.

Create two layered stacks of maple leaves starting with mint green/light aqua, dark red, white, and light-medium grey. Splay the layers out a bit so that each of the colours of maple leaves is visible.

Attach the layers to each other and then place one maple leaf stack on the lower portion of the scalloped circles on the lefthand side of the card. Adhere.

Repeat with the other stack of maple leaves, however, this time, you’re adhering them down on the upper right-hand side of the other group of scalloped circle pieces.

Die cut an ornate oval frame from dark grey, charcoal, or black cardstock (I used charcoal cardstock here).

Die cut a slightly smaller scalloped edge oval from medium grey cardstock. Adhere it to the ornate charcoal grey circle.

Next, die cut a decorative border-edged oval piece from white cardstock. Back that oval with a piece of mint green/light aqua cardstock so that the green/aqua cardstock shows through the openings on the edges of the white cardstock oval, but does not extend out past them at any point.

Adhere that piece to the previous oval.

Die cut a scalloped edge circle from light-medium grey cardstock with the larger of the two scallop circle dies. Adhere it to the previous (oval) layer.

Then die cut a smaller scalloped edge circle from the “True north strong and free print paper”. Adhere to the previous (circle layer).

Die cut a single maple leaf from dark red cardstock and adhere it to the centre of the last circle layer that you created.

Use the small banner/label shaped die to cut out a banner from white cardstock.

Fussy cut out a portion of the text print paper (used throughout this project) so that you have a small strip of paper that says, “True north strong and free”.

Ink all four sides of this piece with Espresso Truffle ink and adhere it to the white banner/label piece.

Gently bend the white banner/label piece so that it bows upward a little in the middle. This creates a greater sense of depth and visual appeal for the sentiment area of this Canada Day card.

Adhere both sides of the white banner/label down across the bottom of the central oval and circle layers, as shown.

Using a medium to dark shade of earthy pine (or olive) green seam binding or ribbon (I used seam binding here), make two slightly larger single layer bows and two single-layer slightly smaller sized bows.

Adhere the larger seam binding/ribbon bows to the outer edges of the center of the moose print paper, so that one larger bow appears on each side of the card design.

Repeat the process with the smaller bows, on this time, center them right beside the central ornate charcoal grey oval piece.

Take two small and two somewhat larger dark red (or burgundy) paper roses. Attach one small rose in the center of each of the larger seam binding bows.

Repeat the process by placing the two larger dark red paper roses in the middle of the smaller-sized green seam binding bows.

Lastly, place and adhere four clear faceted buttons around the smaller green seam binding bows, as shown.

And there you have it, one sophisticated, beautiful, and thoroughly festive Canada Day card for you to use as part of your celebratory décor or give to someone special before/on July 1^st.

O Canada! Our home and native land!

While patriotic music has been penned and sung on the soil of this nation for over two centuries now, the Canadian anthem that is familiar to those of recent generations is actually somewhat new.

The national anthem of this country is called “O Canada” and it begins with the same words that I used for the header above.

It was written by a French-Canadian-American chap named Calixa Lavallée in 1880. However, it would not be until 1980 that an Act of Parliament declared it as the country’s sole national anthem (as since 1939, the country had had two different national songs; the other was “God Save The Queen/King”).

Oh Canada was in use from at least the 1930s onward though, so those of both my parent’s and grandparent’s generations, along with my own, grew up memorizing and singing its stoically beautiful words.

The line “true north strong and free” is perhaps my favourite element of Canada’s national anthem, as I know it for many others as well.

Freedom is not something any of us should ever take for granted, no matter where we live in the world. We need only look to this planet’s history to see countless examples of times when peace was shattered and freedom either stolen or greatly jeopardized.

Much like at Mabon, Thanksgiving, and various other points in the year, I use Canada Day as a time to reflect on how lucky I am to call the world’s second-largest country, geographically speaking, home and to live in a land that is, in a lot of respects at least, quite free and respectful of its citizens’ rights.

No country is perfect – Canada included, of course – but at the end of the day, it is objectively a great nation overall and one that I am truly grateful to call my own, eh!

To all those observing Canada Day this year, may you have a splendidly enjoyable, safe, and festive July 1^st – and to everyone else, may the same hold true for the start of the year’s seventh month on your end, too.

Does your country have a national holiday to celebrate its founding? If it does, do you enjoy making craft projects for that special day?

The post Beautiful Rose-Filled True North Strong and Free Canada Day Card appeared first on Witchcrafted Life.

Of all the colours, purple – despite the fact that I find many shades of it to be arrestingly gorgeous – and I have never completely clicked.

Growing up in the 1980s and 90s, a time when the toy market was thriving like there was no tomorrow, (provided more than one colour option was made available) a great deal of the products released for young girls were either purple or pink.

Sure, plenty of them – from Keypers to Popples – included versions in both of those colours, and others could be found in hues such as sky blue, butter yellow, vivid fuchsia, and tropical vacation-worthy coral. Yet, to my mind – and certainly here in North America – it was pink and purple that garnered the lion’s share of the toy market for girls.  

Be it then, prior to that point, or in the decades since, these colours have remained popular with youngsters and chances are, they won’t be fading away from toy store shelves anytime soon.

Reflecting on my childhood, for as far back as I can recall, I was gaga for the colour pink.

One of my first bedrooms had pink walls (topped with a cute pink and green wallpaper border that depicted teddy bears doing ballet – ahhh, the 80s ), a lot of the clothing I wore in my youth was pink, and I found that I gravitated to pink considerably more than purple.

There is nothing wrong with that, of course, but I believe the first strains in the relationship between myself and purple likely took hold when I became a card-carrying member of team pink.

Interestingly, purple is my mom’s absolute favourite colour (though she has never been the type to make their fave colour a centrepiece of their wardrobe or home décor).

I have always been a very independent soul and even in the days of pre-school, I can remember wanting to have different preferences in many instances to those of my parents.

Thus, it is entirely possible that I gravitated towards pink (whether consciously or subconsciously) so as to differentiate my favourite colour at the time from that of my mother.

Purple is a rare, regal colour that for much of human history was one of the most difficult to come by and therefore often amongst the most expensive as well.

Before artificial purple dyes were created scores of centuries later, the primary source of purple dye throughout much of the ancient world came from the mucus produced by a type of sea snail called murex snails which reside in the Mediterranean Sea.

Sources, including Pliny the Elder, tell us that thousands of these snails (which underwent a rather pungent-smelling ten-day brining process in a lead pot over low heat) were required just to make a single ounce of purple dye. Thus, the cost of obtaining items that were dyed purple was something only the wealthiest members of society could even begin to contemplate doing.

As a result, purple has long been associated with the elite, people of power, and, perhaps above all others, royalty.

Shifting from the days of My Little Ponies and Cabbage Patch Dolls to my tween and teen years, societally, purple continued to be a popular colour in many spheres as we inched ever closer to Y2K.

I can well recall several friends – and plenty more of my peers in general – being obsessed with the colour purple during that time.

It came into play with our Kabbodles, Lisa Frank school supplies and stickers, chunky glittery makeup (ahhh, the 90s – surely you saw that coming ), hair accessories (scrunchies, mini butterfly clips, and alligator clips, oh my!), clothing, Trapper Keepers, platform sandals, and so much more.

And throughout all that time, while I certainly never shunned purple, I remained loyal to pink.

As years of middle school morphed into those of high school, I didn’t feel the need to have/wear/decorate my room with “all the pink” anymore – but it still remained my favourite colour.

In some respects, it still is – particularly dusty rose, which is the shade of pink I most adore.

However, over the years, other colours such as black (which, I know, is technically not a colour but the absence of such), grey, red, burgundy, and aged metallics have long given pink a run for its money.

At no point, did any purple hue make my top five – despite the fact the fact that it is a decently common/popular colour in both the vintage and goth fashion worlds (these being the two subcultures that I have been most immersed in from my teens onward).

I tend to strongly favour having a cohesive colour scheme in my home (and wardrobe, too, for that matter). To date, neither of them has yet to feature purple in any major way.

And yet, all that said, I do not dislike purple in the slightest.

In fact, I would go so far as to say I love many shades of it. And purple will forever hold a special place in my heart given that it has been mama’s favourite colour throughout her whole life.

Much as with my clothing and home décor, my craft supply stash tends to lean towards certain colour palettes as well. There, too, purple does not tend to take top billing very often.

I can go multiple months running without a single spec of purple entering any of my craft projects.

This makes it seem like I am at odds with purple. Rest assured that I most definitely am not. Purple just tends to wait patiently on the sidelines until an outfit or craft project calls it up to bat, if you will.

Be it the palest shade of lilac or the richest eggplant (which, along with plum, shares the title as my favourite purple hue), purple is a versatile, dynamic colour that can convey so much.

It can be peaceful and evocative of youth, dark and vampy, upbeat and summery – and much more!

I was reflecting recently on how, for all my undying love of Halloween, I rarely weave purple into my All Hallows’ Eve or Samhain-related craft projects.

Lately, we have been bopping along through Springoween. Now that June has officially begun again, we are teetering on the cusp of Summerween. This point on the calendar seemed like a terrific time to reach for one of both of these season’s most iconic and adored colours.

Instead of pairing it with orange or green, as this colour often is in a Halloween context, I opted instead to lean heavily into the dark, bewitchingly elegant side of purple by teeming it with black, white, and gold.

The end result is a delightfully spooky Halloween card that I can now give to my mom or to one of the numerous other purple adoring souls in my life.

And, as you have likely suspected already, this purple Halloween card also happens to be my June 2022 #MakeHalloween365 project share.

As always, sweet friends, please do not hesitate to use this fun and festive community-focused hashtag anytime you share a creative Halloween project anywhere online.

Gold ghost shabby chic purple Halloween card

In for a penny, in for a pound as they say, so having decided on making a purple Halloween card, I began with a purple cardstock card base and wove this colour into various other components of my design as well.

Much as I had a hankering to work with purple again, so too was I really in the mood for some classic shabby chic paper tearing/distressing that day and therefore it also appears throughout this festive handmade Halloween card.

I am wild about the vintage-style illustration of a ghost rendered in gold metallic ink on the Prima Thirty One Collection paper that provides the star image for my latest handmade October 31^st greeting card.

It is gothy, (quite literally) spirited, and ever-so-pretty, to boot!

To carry the gold theme further, I included both metallic gold cardstock, glittery gold adhesive gems, and some fabulous gold coloured Webster’s Pages (oh, I miss that company!) tulle here as well.

I adore how the tulle resembles a gold-hued take both on spiderwebs and tattered fabric – say that of the disintegrating curtains in a long-abandoned haunted house.

However, as I was aiming to ensure purple remained in the lime (or, should I say, lavender) light, I made sure to pepper this Halloween card with purple.

It appears as the card base, one of the matting layers beneath the ghost images, in a fabulous piece of light purple and black Echo Park bat print paper, in the fun little Prima ephemera pieces, as the only ink colour used in this card, and even shows up in the “Happy Halloween” sticker that I used for my sentiment.

If purple is your jam (err, grape jelly ), that of someone dear to your, or you are looking for a wonderfully gender-neutral colour palette when making your own Halloween cards, read on for a detailed list of the products used in this project plus step-by-step instructions on how to make one of your very own.

Products used to make this hauntingly charming vintage ghost Halloween card

-Black cardstock

-Purple cardstock

-Metallic gold cardstock

-Vintage ghost illustration paper – Thirty-One Collection All the Treats Paper from Prima (I used another portion of this same sheet of paper as part of my recent Happy Springoween Pocket Letter.)

-Black and purple bat print paper – Bewitched Witch Hat Paper from Echo Park

-Wavy stitched edge rectangle nesting dies (Plain, straight stitched, cross stitched, or just about any other type of rectangle nesting die set could be used here as well.)

-One or two different flourish dies (I used two different dies on this project.)

-Light opaque/chalky purple ink – Distress Oxide Milled Lavender Ink from Tim Holtz

-“Happy Halloween” sentiment sticker (This one is from a package of Crafter’s Square [Dollar Tree brand] of Halloween stickers that did not have a specific product name. I bought these stickers within the past couple of years, so they may be available again at Dollar Tree come the Halloween 2022 season.)

-All ephemera pieces used on this project – Rose Quartz Ephemera from Prima

-Black seam binding

-Metallic gold netting/tulle – Vintage Inspired Netting Collection 2 from Webster’s Pages

-Glittery gold gems – Say it Crystals Midnight Garden Self-Adhesive Embellishments from Prima

-Black gems – Balloon Blast Off Self-Adhesive Classic Gems from Forever in Time

-Dimensional foam, pop dots, or similar to elevate some of your layers

-Adhesive, such as a tape runner, of your choice (I often use my Scotch Tape Glider)

How to make a gold ghost shabby chic purple Halloween card

Begin by making a card base from purple cardstock.

Cut a piece of black cardstock a little smaller than your card base. Tear the right-hand edge in a random, intentionally imperfect manner. Cut a slender piece of Webster’s Page gold tulle/netting the length of the torn black cardstock. Position it so that this layer is flush with the left side border (aka, the fold of your card). Adhere to the underside of the black cardstock.

NOTE: All paper, cardstock, and netting/tool layers that follow are also to be arranged so that they favour the left side of this card’s design.

Then, cut a slender piece of the Echo Park bat print paper a bit smaller than the black cardstock and likewise tear its right-hand side.

Cut a piece of black seam binding several inches longer than the width of the two pieces you just adhered together. Run it across the upper third of that area and adhere in place. Tie the two ends together into a bow on the left-hand side of the card.

Attach the bat print paper to the underside right-hand edge of the black beneath the bat print paper, then adhere this group of components to the card base.

Cut a piece of the Echo Park bat print paper a bit smaller than the previous layer. Tear its right-hand edge as well. Adhere.

Next, cut a piece of black cardstock a little smaller than the previous layer and, here too, tear the right-hand edge. Adhere to the previous layer using a dimensional adhesive such as Pop Dots or another type of foam squares/tape.

On the right-hand side of that (black cardstock layer) position and adhere a small piece of gold netting/tulle as well as the Prima light purple ruler and ticket stub pieces, as shown.

(Fun side note: While it is in reference to a US location, that lovely little ticket stub has the placename “Vernon” on it, which just happens to be the name of a neighbouring town located less than twenty minutes south of us.)

Using black cardstock and metallic gold cardstock die cut two pairs of matching flourish shapes. Arrange and adhere each matching-shaped flourish together with the black ones as the top layer. Off-center them a little so that a glimmer of the gold layer is still visible.

Tuck these flourish stacks under the lower left-hand side and upper right-hand side of the latest (torn edge) black cardstock layer that you created.

Using a larger-sized wavy stitched edge rectangle nested die, cut a rectangle from the same purple cardstock that you used for your card base. Adhere using dimensional adhesive.

Cut the central ghost panel image from the Prima Thirty One Collection All the Treats paper and ink all of its edges with Milled Lavender ink.

Then cut a gold metal cardstock matting layer a smidge bigger than the dimensions of that piece. Adhere the two together.

Die cut a smaller wavy stitched edge rectangle piece (that is large enough to work as a matting layer for the gold cardstock layer you just made) from black cardstock. Adhere previous gold cardstock + ghost image layers to this piece of cardstock and then adhere it to your previous layers.

Next, cut nested layers (by hand, with dies, etc) of gold and black cardstock, respectively, to mat beneath the sentiment sticker. Adhere those layers together then top with the sentiment sticker (optionally inking the edges of the sentiment sticker with Milled Lavender Ink, as I have done here). Adhere these elements on the lower righthand side of the card.

From the Prima ephemera, arrange and adhere a small alphabet piece so that it is sandwiched between the bottom of the central ghost image panel layers and the sentiment sticker layers, as shown.

Then, tuck a light purple domino and a light purple raffle style ticket under the left-hand side of the sentiment, angling them to the left a bit.

Place one of the largest sized gold glittery Prima gems on the middle of the black seam binding bow (you may wish to add some extra holding power to the adhesive that is there already by reinforcing it with hot glue, strong glue dots, or a heavy-duty crafting glue such as E6000 to ensure this gold gem stays put) and then position one somewhat smaller sized gold sparkly gem on the lower left and upper right-hand sides of the wavy stitched edge purple cardstock layer.

Surround each of these gold gems with two small black gems on either side, as shown.

And there you have it, one eye-catching purple, black, white, and gold Halloween card that can be made in scarcely more time than it takes a ghost to say “boo”.

Compared to many of my projects there are not, relatively speaking, all that many steps nor a huge volume of different materials required to make this eerily fun Halloween card.

If one used a template, paper trimmer, or scissors to cut out the rectangles and, optionally, nixed the flourishes, this delightful ghost-themed Halloween greeting could be made without the need for a die cutting machine.

This design is one that marries sweetness with spookiness (a perpetual fave combo of mine) and which is both timeless and ideal for October 31^st fans of all ages and genders.

From spirituality to coal tar, a (super) brief look at the meanings and history of purple

As much as we tend to associate purple with spring and summer in the Northern Hemisphere, it can certainly work well as a year-round colour.

Purple is a colour with strong ties to many things, including both spirituality/mysticism and creativity/artistry – not to mention a long-standing history of use within the LGBTQ+ community.

Given that it is the lovechild of red and blue, purple embodies elements of both fiery warmth and serene coolness.

For all the pale, pastel shades of purple out there, one finds even more that are bolder and more commanding.

Perhaps that is why – especially when combined with its relative rarity in the natural world – purple leaps out at us in many settings.

It might not be as glaring as bright yellow or orange or as tranquil as a soft blue, but it is apt to grab our eye all the same.

Both in terms of colour psychology and the meanings often linked to purple in the witchy/Pagan realm, this purple can represent such areas as intuition, peace, independence, beauty, sensitivity, understanding, empathy (and empaths), the unknown, power/status, pride, dignity, protection, wisdom, creativity, devotion, enlightenment, health and healing, openness, psychic abilities, the crown chakra, magic(k), and death – amongst numerous other things.

In fact, so closely tied to death and mourning was the colour purple to the Victorians, that it was one of just a few colours that were permitted back into a person’s wardrobe when they were in a period of half-mourning (following various lengths – often depending on the mourner’s relationship to the deceased – of full morning, which was also known as deepest mourning, during which only black was supposed to be worn).

Doing so was made all the more possible by the fact that in the very same era (in 1856, to be exact), one of the first synthetic purple dyes was invented.

Originally dubbed “aniline purple” by its then eighteen-year-old inventor, William Henry Perkin, this dye – which would later be known by the name mauveine – was created out of coal tar.

In the years and decades to follow, many other synthetic purple dyes – some certainly safer than others – came onto the market as well.

As a result, purple began to be a colour that was within the reach of more people and, accordingly, was frequently seen not only in times of half-mourning but in the day-to-day wardrobes of many Victorian individuals (it was wildly enjoyed by both women and men).

Purple also made a splash in terms of home décor, the art world (purple pigments and paints had been available prior to that point, but were often very costly and did not always promise long-term colourfastness), and as a result, was a much-favoured choice in terms of flowers + floral arranging, too.

As time went on, more and more forms of artificial purple dye were invented and used to colour a huge range of goods (including certain food, too, such as candy and grape soda).

And while, these days, purple has still managed to retain ties to the rich and famous, royalty, and religion, it is very much a colour that the majority of people around the world can access, if so desired.

In addition to the purple correspondences touched on above, spiritually speaking, purple is also associated with such things as the element Air, the number seven, the planet Jupiter, the cardinal direction of east, the fae, wands, cauldrons, spiritually significant jewelry and clothing (very much including robes/cloaks), the spirit world, and Pagan pride.

To circle back to where this post began, it is true that purple and I have not always been the closest of friends, but we share a bond that spans my entire lifetime and I have never viewed purple in a negative light or disliked it for a moment.

This is not the first paper crafting project I have made over the years that starred purple (in terms of those since the creation of my current blog, this Shabby Chic Springtime Bloom Card really stands out for me) and it is a safe bet to say that it won’t be the last either.

Especially since, again, this royal shade is my mom’s favourite colour.

Not wearing, decorating, or crafting with purple all that often as makes the times when I do opt to do just that all the more special and standout-ish to me.

Two adjectives that apply abundantly as well to my – and countless other peoples’ – cherished Halloween.

And therefore, that is all the more reason for me to reach for shades of purple spanning lilac to mulberry, orchid to mauve – and, of course, that most witchy approved of purples, amethyst – when creating some of my numerous annual Halloween papercrafting projects.

Are you a big fan of purple? Do you enjoy including this versatile and very pretty colour in some of your creative projects as well?

PS: I am well aware that if you try to say the name of this blog post five times fast, it instantly becomes a tongue twister.

The post Gold Ghost Shabby Chic Purple Halloween Card appeared first on Witchcrafted Life.

We are even closer to All Hallows’ Eve now and as a result, I have been massively in the mood for classic Halloween colours and imagery.

Whereas plenty of folks make winter holiday season cards all throughout the span of the calendar, as many of you know, I create Halloween cards and other spooky season themed crafting projects all year long.

They bring me bliss and further strengthen the bond I have with my favourite (and most sacred) day of the year: Halloween + Samhain.

Plus, come those knee-weakingly gorgeous days of early to mid-autumn, doing so means that I usually have numerous festive Halloween cards (et al) ready to give to friends and family.

And, they are also the ideal way for me to utilize the #MakeHalloween365 hashtag that I launched last year so that Halloween adoring creatives of all types could share their work and be inspired by that of other people.

As you might guess, this fun vintage themed Halloween card is my #MakeHalloween365 project for the month of May.

Creating it in the heart of Beltane season – which is the corresponding sabbat to Samhain on the opposite side of The Wheel of The Year – felt especially meaningful to me.

The Witching Hour adorable vintage image and classic fall colour Halloween card

Knowing that I wanted to go with a timeless fall + Halloween colour scheme for this delightful project, I selected a palette of pumpkin-y orange, aged cream, deep gold, and midnight black.

And how fitting the latter is when you consider the sentiment that appears on this card.  

It reads the “The Witching Hour”, which while some people place later in the night/early morning (in the range of 3 – 4 am, when the dark heart of the night is still beating strong and dawn has yet to crack the sky’s surface once again), many others view this time as occurring from midnight to 1 am.

The concept of the witching hour, while certainly intertwined with Halloween + Samhain, applies to every night of the year and is an extraordinarily powerful and poignant point in the day to carry out activities pertaining to one’s witchery, Paganism, or spirituality in general.

And if you can do so bathed in the moon’s silvery light, all the better (though that is by no means essential, of course).

When I was but a wee lass, my (very talented!) mom made me an adorable witch’s costume from Halloween print fabric. A sturdy orange trash bag was utilized as an attached cape – which is all kinds of clever in my books (especially given the very real possibility of rain or snow that we faced on October 31st).

I wore that handmade witch costume on at least two, possibly three, different Halloweens throughout my youth. A few years later, my little sister would go on to sport it as well.

While to the best of my knowledge, this costume was likely either given away to other youngsters or lost to the hands of time at some point, I still have a scanned photo (care of my sweet mama) from the 1980s of me wearing it.

It was this very costume that I was thinking about as I set out to make my latest handmade Halloween card.

And in a flash, I remembered a sheet of Authentique Twilight paper I had picked up a while back that stars some fantastic vintage Halloween images. One of which was a sweet little girl dressed as a witch herself.

The fact that this image tied in excellently with the colour palette I had already determined was the icing on the cake – or should I say, the caramel on the apple.

As, this far out still from October 31^st, I am not sure yet if this card will be mailed or delivered in person, I opted to keep its depth below the minute two centimetres that Canada Post permits letter mail to be before it crosses into parcel territory (regardless of the other dimensions and weigh involved).

Naturally though, true to form, I wasn’t about to sacrifice too many layers or embellishments.

Doing so came together by building up a base of numerous layers of cardstock and paper to which I added a piece of cream-hued crocheted trim, two felt bats (I gave them cute little gold rhinestones as eyes), a button + rhinestone topped selection of trims, and quartet of gold rhinestones around the outer corners of the central image.

And just about as fast a real pair of bats – or a darling little Halloween witch on her broom – could zip across the enchanting Halloween night sky, my card was complete.

This design is quite easy and all things considered, not too brutal on the ol’ pocketbook – especially if you already have most or all of the types of supplies used on this Halloween card project to hand.

Should you be keen to whip up one yourself or use it as an inspirational jumping-off point for your own festive Halloween cards, read on for a complete list of the materials used plus detailed step-by-step directions on how to make this super cute vintage-inspired All Hallows’ Eve greeting.

Products used to make this charming “Witching Hour” Halloween card

-Black cardstock

-Pumpkin/dark orange cardstock

-Dark cream or taupe cardstock

-Metallic gold cardstock

-Stitched edge (or any other type you wish) rectangular die

-Ornate edge rectangular (or square) die

-Pinking sheer decorative edge scissors – Mini Pinking Paper Edgers Scissors from Fiskars

-Flax/muted gold-hued plaid paper – Fall Breezy Stripes Paper from Photo Play

-Pumpkin print border strip paper – Spook Hill 8”x8” Paper Pad from Recollections

-Witch’s broom print paper – Haunted House Witching Hour Paper from Carta Bella

-Vintage witch girl image paper – Twilight Eight Paper from Authentique

-Golden brown ink – Peanut Brittle Memento Dew Drop Ink Pad from Tsukineko

-Black ink – Wicked Black Archival Die Ink Pad from Color Box

-“The Witching Hour” sentiment sticker – Halloween Town Element Stickers from Echo Park

-Flax/gold seam binding – Trophy Gold Seam Binding from Hug Snug

-Orange seam binding

-Black seam binding

-Cream or ivory crochet trim

-Black felt bats (I bought these on AliExpress a few years back; similar can often be found at craft and dollar stores come the fall or cut from a bat die and thin black felt with many modern die cutting machines.)

-Orange button

-Black button (That is large enough to be topped by the orange button and still have its sides remain visible.)

-Two sizes of coloured rhinestones/gems (ideally one should be quite small as it will be used as eyes on the felt bats)

-Dimensional foam, pop dots, or similar to elevate some of your layers

-Adhesive, such as a tape runner, of your choice (I often use my Scotch Tape Glider)

How to make a witch themed vintage-inspired Halloween card

Begin by making a card base from cream/taupe colour cardstock. Ink all four edges of the front (and for that matter, the back, too, if you would like ) with golden brown ink.

From the Spook Hill 8”x8” Paper Pad cut out a slender pumpkin print border strip and adhere it vertically to the left-hand side of the card base.

Using pinking sheer decorative edge scissors (or actual pinking sheers) cut a piece of black cardstock a little smaller than your card base. Adhere to card base.

Cut a piece of orange cardstock a wee bit smaller than the previous layer. Adhere to previous layer.

Using the same decorative edge pinking sheer scissors, cut a piece of gold metallic cardstock just a whisper tinier than the previous layer. Adhere to previous layer.

Cut a piece of Haunted House Witching Hour paper from Carta Bella the same width as the previous layer, but just under half of its. Adhere to previous layer.

Then, using the Fall Breezy Stripes flax coloured plaid paper from Photo Play, repeat the same process as above only this time the plaid paper will go on the bottom half of the card, as shown. Before adhering it down, ink the visible edges with golden brown ink.

Die cut an ornate rectangle piece from metallic gold cardstock. Run a piece of cream/ivory crochet trim across the middle of this piece, wrapping its ends underneath. Adhere to the back of the die cut gold cardstock rectangle and then adhere that to the centre of the existing card layers.

Use the pinking sheer decorative edge scissors to cut another piece of metallic gold cardstock, making it a bit smaller on all sides than the Carta Bella broom print paper.

Before adhering that layer down, tuck and adhere one of the black felt bats partially underneath of it on the upper left-hand side, as shown. Then adhere the orange cardstock rectangle to the previous layers.

With the stitched edge rectangle die, cut a rectangle from orange cardstock. Adhere to previous layer.

Next, cut the adorable vintage witch girl image from the Authentique Twilight Eight Paper.

Using the same cream/taupe cardstock as the card base, create a very slender mat for the vintage witch girl image. Ink the edges of this piece of cardstock with black ink (brown or dark orange ink would work nicely here as well).

Adhere vintage witch girl piece to the cream/taupe cardstock.

Cut a piece of black cardstock a tiny bit bigger than the cream/taupe cardstock. Adhere cream/taupe cardstock to the black layer and then adhere the black layer to the previous card layers.

Fussy cut two brooms from the Carta Bella Haunted House Witching Hour paper. Adhere one each to the left and right-hand sides of the central image panel, positioning them so that each one is at an angle, as shown.

Take the sentiment (“The Witching Hour”) sticker and lightly rub the lettering, which is white in its natural state, with golden brown ink to tint the letters so that they better match the colour palette of this card. (Alternatively, you could use a suitable marker or even a coloured pencil to do the same thing as well.)

Adhere sentiment to the bottom center of the vintage witch girl panel.

Take one relatively small piece each of flax/muted gold, orange, and black seam binding, layer them together, fold them in half, and adhere them on the left-hand side of the lower half of the card.

Take your black button, top it with an orange button, and then with a gold rhinestone. Adhere these elements together and then to the “fold” area of the seam binding.

Place one of the larger of the two sizes of gold rhinestone embellishments around each corner of the black cardstock central panel so that it sits partially on that layer and partially on the orange cardstock layer below it.

Adhere the second black felt back to the upper right-hand side of the card, as shown.

Lastly, adhere two teensy tiny gold rhinestone embellishments to each of the bats so as to give them eyes.

And just like that, you have one sweet, classic, and very versatile handmade Halloween card to give away or keep and use as wonderfully festive home décor.

The comfort and inspiration of nostalgia

Though not everyone – myself included – had a Cleaver family style childhood, I am tremendously grateful for the positives that my youth did house at times.

Few come close on that front than the Halloweens that I experienced while growing up.

They were earnest, cheerful events filled with handmade costumes and decorations, Unicef boxes, bracingly cold Canadian night air, and a sense of exhilaration that no special event – my birthday included – could top for me back then.

Nor to this very day. I continue to get no less giddy now at the prospect of another brand new All Hallows’ Eve than I did all those decades ago.

I think about Halloween, be it past, present (year), or future, just about every day of my life – often many times a day for that matter.

It is vital that we each have things in our lives that speak to our hearts, souls, and creativity alike.

Halloween is one of the biggest and most important of those for me.

The roots of this passion took hold back before that photo of me as a wee youngster with her classic plastic pumpkin pail of sweet treats was even snapped. And it is safe to say that they have only continued to grow further every day of my life since.

I adore using Halloween memories to inspire current craft projects (not to mention other things as well, such as October 31^st menus, costumes, and decorations) and when you swirl vintage – another lifelong passion of mine – into the mix as well, I am on cloud nine.

In the coming countdown to Halloween months, you can look forward to plenty of festive content including – all things willing – no shortage of additional brand new spooky season 2022 papercrafting projects from me.

Right here and now though, it is still Springoween and as eager as I am for Halloween’s return, I am grateful for the sunny side of the year and the time it grants me – and crafters everywhere – to make a slew of festive fall projects in the lead up to that bewitchingly awesome holiday.

When do you tend to start your October 31^st related crafting? Be it pertaining to Halloween or otherwise, do you like to use treasured memories as inspiration for some of your creative projects?

PS: Did you know that there is a paper crafting challenge group dedicated solely to making Halloween projects the whole year through? I caught wind of it a little while ago and have been meaning to take part, but so often seem to forget in the midst of creating, photographing, and blogging my projects.

I am head-over-heels with Two Old Bats Halloween Challenge Blog and am entering this project into it as my inaugural foray into that challenge site.

If you have not yet discovered them yourself and also adore making Halloween paper crafts, be sure to zip on over and give them a peek!

The post The Witching Hour Adorable Vintage Image and Classic Fall Colour Halloween Card appeared first on Witchcrafted Life.

Allow me to elaborate, dear readers.

While spring might technically commence during the third week of March, in reality, the season rarely gets underway in any sort of serious way where we live until around mid-April to early May.

It is not uncommon for snow to linger on the ground and/or keep falling well into April around these Canadian parts.

So while plenty of corners of the world have been enjoying spring’s return since February, March, or April, I often associate May with the full-on start of this energetic season.

Spring is usually comically short-lived in our corner of BC (much as it is in a lot of Canada). It is not uncommon for us to go from temps in the range of -25C to +35C in the span of just four to eight weeks.

This means that spring – in its idyllic, mild weathered, new bloom-filled sense – is often over before you can even slip your rain boots on.

As layer upon layer of ice and snow gradually retreat, cocoa hued brown earth still damp and chilly from winter’s receding deep freeze meets us beneath our feet.

Overhead, skies so blue it almost seems as if someone took a fluorescent highlighter to them cradle fluffy, cotton ball-esque clouds and the promise of a few brief months of warm weather before we are thrust back into the snowy season once again.

While winter houses plenty of enjoyable outdoor activities unto itself (skiing, sledding, snowman making, etc), it is in spring when a lot of us reconnect with our favourite activities that are enjoyed in nature.

Last year my mom bought her first e-bike. Like many of us, she learned to ride a bike as a young child and while she has owned numerous bikes throughout her life, she’d not had one for a decent while now.

She immediately fell in love with her new set of wheels, quickly embarking on rides with both friends and with my husband, Tony (who is an avid cyclist himself) throughout the spring and early summer.

Save for the absurdly warm heatwave that struck much of British Columbia around the end of last June/start of July, it wasn’t the temperature that put the breaks (pun mildly intended ) on cycling for many folks around these parts last year.

Instead, it was the genuinely dangerous air quality stemming from the plethora of brutal wildfires that swept through this province during 2021’s toastiest months.

By the time the smoke had dissipated, the fires had burned out (or very nearly so), and the risk of evacuation was behind us once again, it was pretty much fall already.

Rides, as you might imagine, were quickly savoured by many a cyclist during that all-too-brief window between summer’s end and the return of snow.

Now spring is back and that means my mom, Tony, and countless others who like to cycle can hop on their bikes – be they e-bike, traditional bikes, recumbent bikes, or any other form of bicycle – and take to the open roads and nature paths once again.

For Mother’s Day (which transpires on Sunday May 8^th this year here in Canada + US), I wanted to make a festive card that tapped not only into my mom’s rekindled passion for bike riding, but also the earth and sky colour palette of springtime that is surrounding us at the moment.

Early Spring Colour Palette Bicycle Themed Mother’s Day Card

By my layer + embellishment adoring standards, this card is neither chock-a-block with such things nor did it take very long to make (less than three hours – which for me personally, is very speedy on the paper crafting project front).

Much as with the elephant card that I made my mom for her birthday last year, it was not until I sat down to craft a cycling themed card that I realized how few bike related products are in my current stash.

Surely, I would have guessed beforehand, I must have at least one stamp set that includes a bike. Nope, not as far as I could unearth that day, at least.

Okay, what about metal dies? Save for a small-sized penny-farthing die, again, nada.

Hmm, this is getting interesting, I thought. Will patterned paper come to the rescue?

As you can no doubt see from these project photos, that it did. Big yays all around!

But even then, this was the only cycling themed paper I could find in my stash (and that includes going through any 6×6, 8×8, 12×12, etc paper pads that might possibly have included a biking related print or two).

Given that both Tony and my mom are keen cyclists, going forward I will definitely be keeping my eyes open for more bike riding related products.

The banner/bunting-shaped pieces here were simply cut from rectangles of brown cardstock and blue floral print paper, respectively.

To achieve the desired banner/bunting shape, flip your paper or cardstock over so that the backside is facing you. Take a ruler, align it with on bottom corner and at a 90 degree (or so) angle, make a straight line until you’ve reached the halfway mark of that piece of paper or cardstock.

Repeat the same thing from the other bottom corner, joining the two lines. You should now have the shape of a wide vee. Following the pencil lines you just marked, cut out that wide vee shape and, presto, your banner/bunting piece is good to go.

If you wish to create two or more layers of bunting/banners that will be stacked on top of each other, repeat the same process using gradually smaller-sized rectangles to create your banners/bunting pieces.

According to the Teleflora blog, approximately 1/4^th of all flowers sent annually on major holidays are purchased and delivered for Mother’s Day.

That is no surprise, really, as flowers are often one of the first things many of us both associate with Mother’s Day and which we are apt to give our moms come this special day that is held in their honour.

I was especially happy then that blooms appeared twice on the bike image that I fussy cut from a piece of Jillibean Soup bike patterned paper.

Not only do the flowers tap into that connection, but they speak to the eternal connection between spring/summer and blooms on this side of the globe.

Unlike real flowers, however, these beauties are not apt to fade anytime soon (which is another point in their favour).

I have always enjoyed working with brads in the context of my paper crafting projects but had not done so in a while. This prompted me to dive deep into my collection to see if I had any brown brads on hand.

Delightfully, the answer to the question was “yes”, and these good-sized cocoa powder hued cuties from We R Memory Keepers fit the bill to a tee.

A strip of heathered cream twill ribbon, complete with a matching bow, provides further dimension and visual interest to this fun Mother’s Day card.

Swap out the sentiment here and there is no shortage of other occasions that this same sort of card design would suit.

Birthdays, Easter, Father’s Day, thinking of you, happy travels, graduation, missing you, retirement, congratulations, or just because cards would all be good fits, amongst others.

If you are vibing with this charming bike themed card and would like to create one of your own, read on for a complete list of products used plus detailed step-by-step project instructions.

Products used to make this sweet and cute biking card

-Textured (or smooth) dark brown cardstock

-Textured (or smooth) mustard yellow cardstock

-Cream cardstock

-Blue-on-blue floral print paper

-Cream/flax and brown floral/damask print paper – Portrait of a Lady Collection Grace paper from Graphic 45

-Bicycle print paper – Spoonful of Soul Trust the Journey paper from Jillibean Soup

-Nested oval die set

-Tag/label die

-Circle design border punch – Double Bubble border punch from Fiskars

-Mother’s Day sentiment stamp

-Dark brown ink – Memento Dew Drop Ink in Rich Cocoa from Tsukineko

-Dark yellowy-orange ink – Memento Dew Drop Ink in Cantaloupe from Tsukineko

-Dark blue ink – Archival Cobalt Letter It Stamping Ink from Ranger

-Brown brads – Neutral Painted Brads from We R Memory Keepers

-Heathered beige coloured twill ribbon

-Dimensional foam, pop dots, or similar to elevate some of your layers

-Adhesive, such as a tape runner, of your choice (I often use my Scotch Tape Glider)

How to make a wonderfully fun bicycle themed Mother’s Day card

Begin by making a card base from textured (or smooth) cream coloured cardstock. If working with smooth cardstock, you could also run it through an embossing folder with an understated design for some added texture as well (such as small dots, hearts, lines, leaves, flowers, or stars, for example).

Cut a piece of dark brown textured (or smooth) cardstock a touch smaller than your card base. Adhere.

Cut a piece of Jillibean Soup bicycle print paper slightly smaller than the dark brown cardstock layer. Ink all four sides (edges) of this piece of paper with Memento Dew Drop Cantaloupe Ink. Adhere to the dark brown cardstock layer.

Take the blue-on-blue floral print paper and cut a rectangle a little over 1/3^rd the width of your card base. Ink all four sides (edges) with Ranger Archival Cobalt Letter It Stamping Ink.

Adhere this piece of blue paper horizontally in the middle of the card layers that you have assembled thus far.

Cut a rectangle of dark brown textured (or smooth) cardstock slightly smaller than the piece of Jillibean Soup bicycle print paper.

Use the Fiskars Double Bubble border punch on the bottom edge of that piece of cardstock. Adhere piece to previous layers.

Cut a piece of cream/flax and brown coloured Graphic 45 paper slightly smaller than the previous (brown cardstock) layer. Use the same Fiskars border punch on the bottom of this piece of paper as well. Adhere this layer to the previous brown cardstock layer.

Next, insert brown We R Memory Keepers brads through the top and bottom corners of these two layers, as shown. Adhere this stack of two layers to the previous card base layers.

Cut a rectangle of dark brown cardstock and a slightly smaller rectangle of blue-on-blue floral print paper. Turn the bottom of each piece into a banner/bunting shape using the method described in the section immediately above these instructions.

Ink the piece of blue floral print paper on all sides/edges with dark blue Ranger ink.

Adhere floral print paper on the dark brown cardstock. Then, take a small piece of mustard yellow cardstock, use the Double Bubble border punch along its bottom edge and adhere this piece of cardstock in the uppermost portion of the “vee” shape of your banner/bunting layers.

Adhere these banner/bunting layers to the previous card layers.

Run a piece of heathered cream twill ribbon/trim across the middle of the card, tucking its ends beneath the first dark brown cardstock layer of this card’s design.

Create a bow from the same twill ribbon/trim and attach it on the lefthand side of the middle of the card, as shown.

Die cut an oval from mustard yellow cardstock. Adhere to previous card base layers.

Die cut an oval from dark brown cardstock and adhere it to the mustard yellow oval piece.

From the same Jillibean Soup bicycle print paper that we’ve already used, fussy cut a single bike and adhere it to the brown cardstock oval.

Die cut a label/tag shape from cream cardstock. Stamp the Happy Mother’s Day sentiment in the middle of it with dark brown ink. Attach a slightly smaller sized (if you have two different sizes on hand, if not another two of the same size that you already used is A-okay as well) brown brad to each end of the label/tag.

Lastly, adhere the label/tag so that it overlaps slightly with the centre bottom portion of the oval pieces.

That’s all there is to this splendidly sweet card that is perfect for biking fans, lovers of spring, nature enthusiasts and plenty of others as well.

Given its relative simplicity and the speed that it takes to make this card, it would be a good design if you needed to make multiples for an occasion or event (including invitations).

Let’s ride!

As much as I wish I could, riding has been beyond the scope of my health for about twenty years now.

One recent summer, thinking maybe, just maybe, I could bear the immense pain + symptom flare-ups that cycling causes some of my chronic illnesses, I purchased a bike and rode it a couple of times.

Sadly, that was all it took for me to realize that no amount of hoping and gritting my teeth through the discomfort was going to make that possible in the long run. So, with tears in my eyes and heart alike, the bike was swiftly returned to the shop from which it was bought.

Thus, while actually jumping on a bike and hitting the open road is not feasible for me, thankfully, I can still delight in cycling vicariously through Tony, my mom, and other relatives who are avid bikers.

Plus, I can enjoy the ride in spirit via fun paper crafting projects like this, watching cyclists zip through our region of the province (including as part of the annual Ironman Triathlon that is held each summer about two hours south of where we currently live), and care of the tales about their rides that loved ones regale me with throughout the sunny season.

Whether you are a keen cyclist, have (as I do) fond memories of riding earlier in your life, or just enjoy images of bikes, I encourage you to take to your stash and whip up a biking related project or two this year.

They suit spring and summer marvellously and can be an awesome way to make meaningful projects that tap into the interest of friends, relatives, colleges, neighbours, teachers – your name it!

Are you a bike rider yourself? Do you enjoy making cycling themed craft projects as well?

PS: To all those moms, stepmoms, grandmothers, and others of all genders who take on the role of being a mama, may you have a radiantly beautiful and abundantly happy Mother’s Day tomorrow.

The post Early Spring Coloured Bicycle Themed Mother’s Day Card appeared first on Witchcrafted Life.

I glanced out the window at the signs of spring. The sky was almost blue, the trees were almost budding, the sun was almost bright. — Millard Kaufman

Some areas of the Northern Hemisphere are already wrapped in the warm embrace of early spring.

Others, including our corner of Western Canada, continue to experience the telltale biting chill and starkly snowy landscape of wintertime proper.

Yet, even if a late-season blizzard comes barreling into town, there are usually captivating stirrings of the season that we are sitting on the precipice of. And that, for those who enjoy spring at least, is certainly a happiness-sparking prospect.

There is not a time in my life when I cannot remember madly adoring butterflies (and moths, too, for that matter – assuming they aren’t turning the contents of my closet into their own personal buffet! ).

It goes without saying that I am far from alone on that front. Countless others throughout the course of human history have been fascinated by butterflies and their immense beauty.

Items depicting or shaped like butterflies never seem to go out of style – and I highly doubt they ever will.

Though, that said, there have certainly been periods when butterfly-themed items experienced a notable spike in popularity.

One such time was the late 1990s and very early 2000, a point in history when I was in my teenage years.

From those super-easy-to-accidentally-bend-open-to-the-point-where-they-break mini butterfly hair clips to butterfly print tees (bonus Y2K points if they were cropped) to the revealing rhinestone covered Emmanuel Ungaro butterfly-shaped top that Mariah Carey famously wore to the VH9’s Divas 2000 tribute to Diana Ross, butterflies were landing everywhere and we could not get enough of them!

These days, with some of the fashions from that era enjoying their own moment in the sartorial spotlight, we are seeing butterflies appear a bit more often again in the clothing and accessory world. Right down to a Gen Z-led revival of those aforementioned butterfly hair clips.

And why not? Fashion was a blast back then. It could be glam and gorgeous, but it could also be silly, fun, girly, sporty, preppy, retro, OTT, sometimes futuristically inspired, and a million other things.

Though I am not slipping on a pair of wide-legged jeans that drag on the ground beneath my chunky (black) platform slip-on sandals, nor rocking a messy bun full of darling butterfly clips atop my head these days, my lifelong passion for butterflies is still going strong.

Butterflies are often one of the first harbingers of spring’s return. Their mosaic-like patterned wings flapping gracefully by our suddenly-once-again-open windows, taking said butterflies to land on the nearest flower, leaf, or other spot they wish to visit.

Recently, I found myself yearning to see real live butterflies again. Alas though, when I looked outside, the only thing fluttering around in the sky was a fresh load of snowflakes.

Knowing that I wanted to make a least one Ostara papercraft project this year, the idea quickly struck me to create one centred around the theme of butterflies.

As a big fan of these beautiful insects, I have numerous craft products that star their depiction. Therefore, I knew this project would not require much rifling around to find the products that I had in mind.

Once I had located them, I made like a busy butterfly and quickly set to work whipping up this vibrant, dynamic springtime greeting card.

Delightful butterfly-themed Ostara shaker card

While not a hard and fast rule by any means, generally speaking, it is somewhat rare for me to craft with the cheery, confectionary-worthy palette of spring – particularly outside of that season itself.

I tend to favour darker tones and autumn + winter palettes, but that doesn’t mean I don’t enjoy dipping my proverbial proboscis in the nectar that is spring’s upbeat hues from time to time.

Having selected the butterfly print papers that I would use on this project, I let them guide the remainder of the colour palette that I utilized here.

It is undeniably a bright, fun one. But it is toned down a touch by some mellow, sun-baked shades as well as hits of both navy blue and black.

I wanted a warm palette that was at once soothing and energizing at the same time, as that is a combo I often associate with spring itself.

This same menagerie of hues could very easily be used for craft projects intended for later in the spring, too, as well as those throughout the summer. Heck, I think it would even suit Mabon/the Fall Equinox as well.

Though there are a fair number of different colours at play on this card, I made sure to repeat some of them two or more times throughout its design so as to help create a cohesive overall look.

For example, there are three different areas of both pink ombre paper and dark gold metallic cardstock, four of light green cardstock, and some of the fussy cut butterflies are repeated as well.

In addition, all of those fussy cut butterflies have a twinkling line of Diamond (coloured) Stickles running down their thoraxes, thus unifying this bevy of winged friends all the more.

My choice of sequins colours echoes some of the shades found in many of the other elements of this card. This in turn helps them to look all the more coordinated.

This card design – for all that is going on here – is actually quite versatile.

For example, you could easily swap out the “Happy Ostara” sentiment for one pertaining to Easter, Beltane, Mother’s Day, Litha, Lammas, Mabon, birthdays, weddings, anniversaries, baby showers, christenings, graduations, retirement, bon voyage, good luck, congratulations, and scores of other events and reasons.

And if you are not feeling the palette, keep the general design but sub in a colour scheme of your choosing.

Products used to make this charming springtime butterfly shaker card

-Light green cardstock – Soft Tones 8.5”x11” Cardstock from Paper Accents

-Dark metallic gold cardstock – Foil Cardstock Paper from Recollections (Michael’s brand)

-All printed papers used in this project – Conservatory 12”x12” Paper Pad from Craft Smith (Michael’s brand)

-Clear acetate

-Smaller sized scalloped edge rectangular die

-Oval die – Nestabilities Classic Oval Dies from Spellbinders

-Larger sized scalloped edge rectangular die – Nestabilities Lattice Rectangles from Spellbinders

-Small butterfly cut out rectangle die (from AliExpress)

-Dark blue/navy blue ink – Memento Dew Drop Nautical Blue Ink from Tsukineko

-Iridescent clear glitter glue – Diamond (Glitter Glue) from Stickles

-“Happy” word sticker – Soup Labels Farmhouse Stew (Word) Stickers from Jillibean Soup

-Small black and clear letter stickers – Mambi Sticks Clear Stickers from Me & My Big Ideas

-Green and gold sequins mix – Evergreen Sparkle from Pretty Pink Posh

-Micro-sized gold heart-shaped sequins – Unnamed product from Pretty Pink Posh

-Pin sequins – Princess Sequins from Craft Medley

-White lace trim

-Peachy-pink crochet trim – Stella & Rose Hazel Memories Trim from My Mind’s Eye

-Dimensional foam, pop dots, or similar to elevate some of your layers

-Adhesive, such as a tape runner, of your choice (I often use my Scotch Tape Glider)

How to make a beautiful butterfly themed shaker card for Ostara/The Spring Equinox

Begin by making a card base from light green cardstock (if you do not have light green, white cardstock would look lovely here as well).

Cut a piece of white lace trim the vertical length of the card base. Adhere on the left-hand side of the card base so that this trim extends out beyond the card base itself.

From the Conservatory paper pad, cut a piece of (white background) butterfly print border strip paper. Ink it on all four sides with dark blue or navy blue ink. Mat it with a piece of ever-so-slightly larger (than that strip) pink ombre print paper.

Layer and adhere this matted border piece along the left-hand side of the card, overlapping it somewhat with the white trim layer.

Cut a piece of gold metallic cardstock a little bit smaller than your card base. Cut two equal-sized pieces of peachy-pink crochet trim that are the length of the top and bottom of the gold metallic cardstock. Adhere trim to the underside of the top and bottom of that piece of gold cardstock, then adhere the cardstock to the card base.

Next, cut a piece of pink ombre paper (this paper, like all others used throughout this project, hails from the Craft Smith 12”x12” Conservatory paper pad; this is not a terribly old paper pad, so it may still be available at some Michael’s locations) just a tiny bit smaller than the gold cardstock layer. Adhere to gold cardstock layer.

Cut a piece of dark blue + multicolour butterfly print paper a whisper smaller than the previous layer. Adhere to the previous layer.

Next, cut out the border strip that says, “Happiness Blooms Within”. Mat it with an ever-so-slightly larger (than that strip) piece of the same light green cardstock you used for your card base.

Adhere the border strip to the green cardstock and then, using foam tape, pop dots, or a similar dimensional adhesive product, adhere the green cardstock to the far left-hand edge of the previous (butterfly print paper) layer.

Using the larger of the two scalloped edge rectangular dies, cut a rectangle from the pink ombre print paper. Then use the oval die to cut an oval aperture in the middle of that piece. Back the aperture with a piece of the same light green cardstock that you used for the card base. Adhere this scalloped rectangle piece to your previous layers.

Use the smaller of the two scalloped edge rectangle dies (mine comes with an oval opening in the center already; if yours does not, cut an oval the same size as the one on the previous layer in the center of that rectangular piece) to cut a rectangle from metallic gold cardstock.

Cut a small oval-shaped piece of clear acetate and adhere it to the back of the metallic gold rectangle.

Adhere the gold rectangle (with acetate) to the pink ombre rectangle so that the two ovals are perfectly aligned.

Flip that layered piece over and add in the various colours and shapes of sequins.

Use foam to create a border all the way around the oval shaker element opening. Carefully bring the green cardstock + ombre pink layer to the foam adhesive, gingerly apply some pressure to really stick the foam adhesive in place (as we don’t want any sequin going rouge and escaping our shaker! )

Next, measure and cut a piece of the same white trim that you used earlier so that it is the length of the pink ombre layer. Then cut that piece of trim in half, if so desired (only half of it will be showing, so why not save the other half for use on a different project?). Adhere the white trim to the underside of the bottom of the pink ombre layer.

Follow that up by adhering that rectangle layer “stack” to your previous card base layers.

Cut out a label piece using light green cardstock and the small rectangular-shaped butterfly (cut out) label die. Mat this piece with an ever-so-slightly larger piece of gold metallic cardstock. Adhere together.

Then adhere that “stack” a little bit below the central (rectangular layers), so that some of the dark blue + multicolour butterfly print paper is visible between the two-layered areas, as shown.

Use the “happy’ word sticker and black + clear letter stickers to spell out “Happy Ostara” (or the similar-sized sentiment of your choosing).

Take a piece of butterfly print paper from the Conservatory paper pad and fussy cut out several different sizes and colours of butterflies. Adhere them around the card as shown (or however you wish to place them).

Then cut out duplicates of a few of the butterflies. Apply adhesive down the middle of the backside of those butterflies. Gently bend their wings upward a bit, then adhere them down on their corresponding “flat” butterfly layers.

Lastly, take your iridescent glitter glue (be it Stickles or otherwise) and with a light touch, apply a small line down the thorax (middle vertical area) of each butterfly.

I know that the above instructs are a bit lengthy, but in reality, this project is not (IMO) very tricky and it does not take terribly long to complete. The most time-consuming part, by far, is fussy cutting the butterflies out.

I adore fussy cutting, so do not mind. However, if it isn’t your favourite activity or if using scissors for a long time is difficult for you due to health (or any other) reasons, you could use similar sized premade butterfly die cuts, chipboard pieces, butterfly die cuts that you make yourself, punched butterflies, or stickers here instead.

This festive Ostara/Spring Equinix/Easter card is a pleasure to both make and bestow upon someone special in your life – especially if they are a big fan of butterflies.

Ostara – like springtime sunshine – returns with gusto!

North of the equator, March houses the Spring Equinox. From that day onward until the Summer Solstice we will be surrounded by the beauty, gentle warmth, and the general air of happiness that is inherent to spring.

On – or in the general vicinity of – the Spring Equinox, a fair number of witches/Wiccans/Pagans opt to observe the calendar year’s second sabbat: Ostara.

A lively, hope-filled celebration of the earth’s reawakening, new life, new beginnings, optimism, and much more, Ostara is, for many, a jubilant sabbat that bounds into our life as merrily as a baby lamb.

If you are not familiar with, or would like to read more about, Ostara, I welcome you to do so via the following entries that I have previously penned about this sabbat:

–10 Free and Low-Cost Ways to Celebrate Ostara

–35 Wonderful Ostara Crafts, DIY Projects, and Décor Ideas for The Spring Equinox

–Ostara Candle Spell for Clarity and Renewal (Guest post that I wrote for TheWitchofLupineHollow.com)

While relatively few who are not witches/Pagans observe Ostara in its 21st-century iteration, many individuals – regardless of their spiritual path – enjoy celebrating the return of spring.

The upcoming Equinox is a stellar time to do just that.

A lot of people in my life were born in the spring and numerous loved ones – including my mom and her only sister – rank springtime as their favourite season.

They are far from the minority there, as spring takes top billing for scores of folks around the world.

It is not hard to see why. After months of freezing temps, long hours of darkness, and the need to wear more layers than you’d find on mille crepe cake, many of us are champing at the bit for even the slightest degree of warmth.

Our patience is, thankfully, rewarded sooner or later. And then, after a few sun-kissed days, as if by magic, we often all but forget the lengthy cold spell that we just endured.

Suddenly our lives are illuminated in fresh, wonderful ways again. And while we know that winter will eventually return, for now, we are as far away seasonally from that point as one can possibly be.

And that, if you ask me, is worth celebrating and sending out a butterfly-themed card or two in honour of!

Additional gift of mini butterfly hairclips, 100% optional!

Do you equate butterflies with the return of spring (or autumn, if you live south of the equator)? What is one of your favourite things about the upcoming sunny season?

The post Delightful Butterfly-Themed Happy Ostara Shaker Card for the Spring Equinox appeared first on Witchcrafted Life.

Today, with a mere four days bridging the present and February 14^th, I am posting about my second Valoween card.

I suspect that a fair number of you read that recent post – and I know that some of you were also here last year when I shared an in-depth look at Valoween – so I won’t rehash things too much regarding what Valoween is all about.

That said, as I realize this may be the first time that some of my readers are hearing about it and that folks who wish to learn about Valoween may discover this post via a search engine or social media hunt, please permit me to give the quickest of overviews.

Valoween – as one might rightly guess from its name – blends classic themes and motifs of Valentine’s Day with the delightful spookiness of Halloween.

Naturally, valoween is not recognized as an official or separate holiday from Valentine’s Day itself (cool as that would be!). Rather, it is simply a different way of approaching how one celebrates and/or decorates for February 14^th.

The concept of Valoween can be applied to romantic Valentine’s Days, Galentine’s Days, celebrations of platonic relationships, or pretty much anything else that you would like to focus on come this mid-February holiday.

And akin to October 31^st itself, one can opt to take Valoween in any sort of festive direction.

It can be cute and sweet, classic and elegant, hair-raisingly frighting and more than a little bit macabre – whatever your heart desires.

Personally, when it comes to Valoween,  I tend to lean towards either cute + cheery or dark + romantic.

Much as with the Valoween Shaker Wand and Card that I shared here last February, I opted to take my second Valoween project for 2022 in a darkly romantic direction.

To say that I adore the aesthetic that this marriage of holidays swirled with a generous dose of “amore” conveys would be a tremendous understatement.

It is, by far, one of my favourite styles and the colour scheme that I rendered it in here is likewise amongst my most beloved of palettes.

Given its distinctly romantic rebus sentiment, this card is the greeting that I will be giving to my husband come the 14^th. (Hopefully, he won’t see this post before then! )

Darkly romantic you have my (anatomical) heart Valoween card

Teaming with layers, bold colours, and elements that speak to both passion and a distinct air of the eerie, this Valoween card is not for the faint of heart.

Speaking of which (yes, I created that segue on purpose ), it was the anatomic heart stamp at the center of this frighteningly festive greeting that served as this project’s jumping-off point.

For as far back as I can recall, I have been drawn to images and other artistic renditions of anatomical hearts. The more realistic looking, the better.

My various Etsy wishlists are peppered with anatomic heart-themed objects, including the popular anatomical heart vase from Dellamorte & Co. and a beguilingly lovely anatomical stained glass heart from Strong Family Connection.

What can I say, I hearts!

Both the real deal and the shape that we as a species have bestowed the same name upon.

This darkly romantic Valentine’s Day card marries the two, each one supporting the other – and not unlike two people in a committed and loving relationship – to great effect.

While the classic February 14^th colour of pink does not technically appear on this handmade card, a subtle sense of it is conveyed by layering classic white vellum over richly red metallic (mirror) cardstock.

The anatomical heart image was stamped directly onto the velum. I then let it sit for about an hour, while I worked on other components of this Valoween card, before giving it pride-of-place in the center of the design.

To drive home the “You Have My ” sentiment all the more, I made sure to include no shortage of hearts throughout this card.

They appear via the vellum shape, the set of square nested dies with their charming heart-adorned borders and the red hearts that have the word “love” cut into their left sides.

(Funnily, in a way, enough, that little “love heart” die went sailing off my craft desk moments after I cut out the second red heart and I have yet to find it again. I suspect it may have snaked its way between a shelving unit and the wall, so I will soon hunt for it there. Wish me luck!)

As well, towards each of the four corners of this card, small triple heart shapes (which, I am the first to acknowledge, could also be used as a clover/shamrock shape) appear, somewhat resembling another classic Valentine’s Day staple, flowers.

Like a good many paper crafting projects that I create, fundamentally, this is not a tricky or, IMO, fiddly card to bring into being.

You will likely find the die cutting to be the most time-consuming aspect of the project, but even that shouldn’t take too terribly long – especially if you put on your favourite romantic music or movie in the background while you crank out your die cut shapes.

I am tickled pink – actually, make that red, black and gold – with how this Valoween card turned out. It reminds me of my all-time favourite fictional couple (Morticia and Gomez Addams), is my style to a tee, and will, I very much hope, find favour with Tony as well.

In addition, this festive Valoween card is – as you might have suspected – my latest #MakeHalloween365 project share.

If you are not already using this hashtag for your own year-round Halloween related creative projects of any kind, why not give it a spin in 2022?

Should you be in the mood for some paper crafting dark romance of your own, read on for a complete list of materials used and detailed step-by-step instructions for how to make this spookily sweet Valentine’s Day greeting.

Products used to make this red, black and gold gothic Valentine’s Day card

-Black cardstock

-Pearlescent gold paper or cardstock (Similar looking, but heavier weight, pearlescent gold cardstock.)

-Metallic red cardstock – Scarlet Organza Mirror Card from Tonic Studios

-White vellum – Premium Vellum Cardstock from Core’Dinations

-Heart border nested square-shaped die set (Similar looking nested heart border die set.)

-Good-sized heart die (The one I used here has a subtle stitched border, you can opt for the same or use a plain heart, as desired.)

-Small heart w/the word love (or a plain heart-shaped) die

-Good sized vine or scrolling flourish die

-Decorative edge scissors – Heartbeat Paper Edgers from Fiskars (Yes, I specifically opted to use these scissors for this Valoween card because of their name. )

-X’s and O’s print paper – Head Over Heels Typewriter Paper from Echo Park

-Very fine point black pen – Micron 01 0.25 mm Pen from Sakura

-Black ink – Jet Black Archival Ink from Ranger

-Anatomical heart stamp (Similar looking anatomical heart stamp.)

-Scrolling banner stamp – Banners Clear Stamps from Forever in Time

-Tiny black and white letter stickers – Black and White Mini Alpha Stickers from Kaisercraft

-Red polka dot letter stickers – Love Letters Cardstock Stickers from Doodlebug

-Two sizes of adhesive gold gems – Self-Adhesive (Gold) Gems from Studio G

-Dimensional foam, pop dots, or similar to elevate some of your layers

-Adhesive, such as a tape runner, of your choice (I often use my Scotch Tape Glider)

How to make a darkly romantic “You have my (anatomical) heart” Valoween card

Begin by making a horizontal card base from black cardstock.

Cut a piece of vibrant red metallic cardstock slightly small than the card base. Adhere to card base.

Cut a piece of X’s and O’s print paper a wee bit smaller than the previous layer. Lightly ink all four edges with black ink. Adhere to the previous layer.

Next, cut a piece of pearlescent gold paper/cardstock (you could easily use metallic gold or gold glitter cardstock here instead, if so desired) about 65 – 75% of the size of your card base.

Cut a piece of black cardstock (the same cardstock used for the card base) a little smaller than the piece of pearlescent gold paper. Adhere the pearlescent gold paper to the black cardstock and then, in the center of the card design, the black cardstock to your existing layers.

Take a piece of white vellum and cut a rectangle that is a little taller than the gold and black layers you just created, but a bit narrower than it on the right and left sides.

Use decorative edge scissors on all four sides of the vellum piece. Center and adhere the vellum piece on the black and gold layers.

Take the largest die from the heart-bordered nested die set and cut a square out of metallic red cardstock.

Position it so that the square now becomes a diamond shape. Adhere with dimensional foam adhesive, Pop Dots, or similar to the previous layer.

Die a heart-shaped piece from white vellum that is large enough to accommodate your anatomical heart stamp.

Using a black ink that is suitable for vellum, stamp the anatomic heart in the center of the vellum heart. Allow to air dry or speed up the drying process by gently waving an embossing heat gun over the heart piece for a few moments (not too long though, as vellum can easily warp and/or burn from heat).

Place a small amount of adhesive on the far left and right (center) sides of the velum heart and attach it to the middle of the red metallic diamond-shaped piece.

Take two of the smaller nested heart border dies. Use the larger of the two to die cut two matching squares from pearlescent gold paper, then use the smaller of the two to die cut two matching black cardstock squares.

Center and adhere the black squares on the gold squares. Rotate the stacked squares so that they too become diamond shapes.

Die cut two small red hearts that contain the world love (or simply use a standard heart-shaped die) out of red metallic cardstock. Adhere one heart to the center of each of the black squares/diamonds that you created in the previous step.

Adhere one of the gold diamond stacks so that it slightly overlaps with the left side of the central vellum heart and the other so that it does the same on the right side of the vellum heart.

Die cut four matching vine/flourish pieces from black cardstock. Adhere two around the left and right sides of the bottom of the metallic red cardstock diamond.

Tuck the other two under the top of the red metallic cardstock diamond and the vellum piece below it, leaving most of each vine/flourish visible, as shown.

Using black ink, stamp a scrolling banner shape onto pearlescent gold paper. Fussy cut (or, if using a stamp with a matching die, die cut) the banner shape once the ink has dried.

Use tiny black and white alphabet stickers to spell the words “You”, “Have”, and “My” around the banner piece, as shown.

Place red polka dot letter stickers between those words, positioning them so that they flow with the curve of the banner piece.

Once you are happy with the placement of the red letter stickers, optionally, you can (as I have done here) trace around each of the letters with a very fine tip black pen so as to help the letters stand out all the more.

Next, use the teeny-tiny triple heart-shaped die to die cut four pieces of that shape from black cardstock and another four from pearlescent gold paper/cardstock.

Apply adhesive to the back of the gold “heart flowers” and position them a little way down the black “heart flowers”, as shown.

Adhere one black and gold “heart flower” stack to each of the far corners of your card front.

Place one small metallic gold coloured gem in the center of each of those “heart flowers”.

Lastly, use a slightly larger size of the same gold metallic gems to adorn the top and bottom tips of the central red metallic diamond, as well as the left and right sides of the smaller gold diamonds.

There you have it, one impactful, gorgeous, and hauntingly romantic I (Anatomical) Heart You Valoween Day card to give to your beloved.

Celebrate love of all kinds this Valentine’s Day

Understandably, no matter what sort of spin you put on it, February 14^th is not everyone’s favourite day of the year.

Though I am a die-hard “lover of love” who melts faster than a box of chocolates left too close to a votive candle when it comes to this holiday, I can easily see why such is the case and sincerely respect that not everyone flips their lid for Valentine’s Day.

That is, of course, perfectly okay! We are always allowed to like/love or dislike whatever special occasions we desire.

Yet, I think it is worth pausing all the same as Valentine’s season descends upon us once again to reflect on the broader subject of love.

Nearly all of us love various people and/or things. And, most (though, heartbreakingly, not all) of us have been blessed to receive and/or give love throughout our lives.

That can mean romantic love, platonic love, love for our pets, love for our work, love for causes that are important to us, love for our hobbies and passions, love for our spiritual journey, love for our favourite books, movies and music, love for our favourite foods, or deep feelings of adoration directed at countless other possible things/animals/peoples/events/etc.

If you work with an altar or would otherwise like to make a display of this nature, I encourage you to place items that represent some of the things you presently love in your sacred space.

In turn, think deeply (and/or meditate) on them and the role(s) they play in your life right here and now.

How, if applicable, have those roles shifted, changed, or otherwise evolved for you throughout your life?

What do you love, but do not or cannot focus on as much as you would ideally like?

Are there ways you can shift more attention to those areas between now and next Valentine’s Day?

In terms of people, naturally, February 14^th is a great time to remember, honour, and celebrate those you have loved – and presently love – throughout your life.

As such, you could also include images, mementos, or other objects that represent people (and/or pets) that you currently love or have loved in the past.

Valentine’s Day, not unlike the Pagan sabbats – particularly, in the Northern Hemisphere, Samhain and Yule – is an excellent time to engage in ancestor work, as well as to reflect deeply about our families, our heritage, and those members of our trees that are still with us today.

If doing so feels right and appropriate to you, try to tell one or more of your nearest and dearest just how much they mean to you and how greatly you love them this Valentine’s Day.

I firmly believe that we all need love. We need to receive it and, in turn, give it to others as well. We need events, locations, interests and other things to hold close to our hearts, too.

These are basic elements of the human journey and one that each person deserves to experience.

On Valentine’s Day, give thanks for the loves of all types in your life. If you feel you need more love, freely open your heart to that possibility and allow the universe to hopefully deliver a greater degree of love into your world.

And all the while, remember to try and give your own love generously and selflessly to others as well.

In their 1967 hit song of the same name, The Beatles reminded us that “All you need is love”.

In reality, we may require a bit more than that. Yet, this message drives home the importance of love and just what an incredible, life and history-shaping force of our collective human experience it really is.

Here’s to love, to Valoween and Valentine’s Day, and to the fact that I each and every one of you!

Are you a fellow fan of anatomical hearts? What loves in your life will you be focusing on this February 14^th?

The post Darkly Romantic You Have My (Anatomical) Heart Valoween Card for Valentine’s Day appeared first on Witchcrafted Life.

Save for one male cousin who is in his twenties coming down with it last year (thankfully, he did not get terribly ill and bounced by quite quickly), no other close relative in our family had contracted this frightening illness until my sis fell ill a few days.

Mercifully, thus far, she has not needed hospitalization and appears to be gradually improving a little already (knock wood!).

As she is a lifelong asthmatic with some other health issues as well, I have worried a great deal since the pandemic began that my sister might end up getting Covid.

I would gladly come down with this illness a million times in a row if it spared her getting sick with it even once.

Alas, no entities or higher powers have shown up to offer me that sort of Faustian bargain and, sadly, the Coronavirus found my sister.

The past 2 – 3 years have been rather rough on various fronts for my sis (including multiple car accidents – none of which were her fault), and I am certain this is truly the last thing in the universe that she needed or wanted.

On my end, not for the first time since this blog’s inception, I genuinely wasn’t sure if I would be able to get a blog post up this week.

Thankfully, as the week wore on, I was able to briefly spend some time crafting which meant a post was still feasible (yay!!!). The end result is the darling Valoween project featured in this entry.

I needed something lighthearted, upbeat and festive – and in my books, this sweet Valoween card ticks all of those boxes.

The last few days have indeed felt long at times. However, January as a whole has whizzed by faster than a snowflake on a strong arctic wind and that means Valentine’s Day is rounding the corner again soon.

Hey, ghoul friend adorable Valoween Day ghost themed friendship card

Hard as it is to believe that we are almost 1/12^th of the way through 2022, it is even trickier for me to wrap my head around the fact that close to a year has elapsed since I first posted here about Valoween.

If you are not familiar with the concept of Valoween – which is essentially adding a dark/spooky/macabre/Halloween spin to Valentine’s Day – be sure to check out my post Dark and Romantic Valoween Shaker Wand and Card Set for the 411 on this frightfully fun spin on Feb. 14^th.

This year, I am planning on bringing you two Valoween project shares – with this super cute card being the first.

It is, admittedly, on the sweeter side of Valoween (which, I should mention, is sometimes also spelled as Valloween).

I doubt very many people would be frightened by the trio of squeal-worthily precious ghost friends here, nor the red-dominant colour palette.

While red does take center stage, other colours find their way into the fold as well. Grey, black, cream, and pink all play supporting roles.

I love the mix of red and white lettering. The white alphabet stickers are Thickers and made of foam, which gives them this fabulously charming quality that I find works sooo well into the context of nearly any type of ghost or otherwise spooky related project.

Naturally, as a project pertaining to Valentine’s Day, this Valoween greeting includes some hearts. This is not required for any take on Feb. 14th, of course, but the perpetual “lover of love” in me can rarely help including at least a heart or two when crafting for February 14^th.

Two of the central layering pieces are wonky/wavy-edged ovals, which I opted for as I felt they had a certain ghost shape element all their own that fit the theme here to a tee.

My perpetual addiction to metallic cardstock appears here again, as does my endless love for layers and embellishments.

This handmade Valoween card began with a project concept in my mind’s eye (as many do). However, when all was said and done, the end result deviated somewhat from how I had initially pictured it.

I know this is something that many a paper crafter – and creative soul, point-blank – can wholeheartedly relate to!

Happily though, in the end, I was (am) very pleased with the final result and will keep my original concept in mind for a possible future project.

This card design is quite easy to make. There is really nothing tricky to it and the most time-consuming aspect is simply manually die cutting out the various layers and ghost figures.

This is an enjoyable card that works great for Valoween/Valentine’s Day. While at the same time, it could also be used for a wide range of other occasions as well – provided you swapped out or simply ditched the “Happy Valentine’s Day” part of the sentiment.

I can also see this charming ghost themed card fitting the bill for events such as birthdays, Halloween, and Samhain – as well as thinking of you, missing you, congratulations, and just because cards. Assuming, of course, that the recipient is a fan of sweetly spooky creations.

And given the highly spirited (pun intended) October 31st influence at work on this card, it is my latest #MakeHalloween365 project share.

If you would like to make your own adorable Hey, Ghoul Friend Valoween card, read on for a complete list of materials used and detailed step-by-step instructions that will guide you through doing just that.

Products used to make this super cute ghost themed Valoween card

-Black cardstock – Raven Black Cardstock from Bazzill

-Light grey cardstock

-Cream cardstock

-Light red cardstock – Tim Holtz Distress Collection 4.25”x5.5 (mini pad) from Core’dinations

-Matte silver metallic cardstock

-Red metallic cardstock – Scarlet Organza Mirror Cardstock from Tonic Studios

-Pinkish-red metallic cardstock – Opera Red Mirror Cardstock from Tonic Studios

-Pink polka dot and damask-y floral print papers – Je t’Adore 8”x8” Multipack from Making Memories

-Decorative edge oval die

-Wavy/wonky edge nested die set (you can currently score a very similar looking Wavy Nested Frame Set from Whimsy Stamps.)

-“Wave” decorative edge scissors (Mine are unbranded and likely came from a dollar store at some point; you can, at the time of writing, find a similar pair of wavy edge scissors on Amazon.)

-Ghost and spider stamps – Ghosts 4”x6” Clear Stamp Set from Gerda Steiner

-Happy Valentine’s Day sentiment stamp – Perfect Match Stamp Set from Papertrey Ink

-Black ink – Jet Black Archival Ink from Ranger

-Very dark red or burgundy ink – StazOn Claret Solvent Ink from Tsukineko

-White metallic ink marker – White Metallic Marker from Forever in Time

-Small dark red alphabet stickers

-White foam alphabet stickers – Thickers Rockabye Foam Letter Stickers from American Crafts

-Mini stapler and staples – Tiny Attacher and Staples from Tim Holtz Idea-ology

-Cream/flax coloured paper raffia – Earth Tones Paper Craft Ribbon from Craft Medley (dollar store brand)

-White seam binding (or ribbon)

-Pink seam binding (or ribbon)

-Black rhinestone embellishment strips – Black Jewel Stickers from Crafter’s Square (dollar store brand)

-Grey rhinestone heart embellishments – Pyramid Gems Classic Hearts from Forever in Time

-Sparkly creamy-white gem embellishments – Say It In Crystals Pretty Pale from Prima Marketing

-Dimensional foam, pop dots, or similar to elevate some of your layers

-Adhesive, such as a tape runner, of your choice (I often use my Scotch Tape Glider)

How to Make an Adorable Hey, Ghoul Friend Valoween card

Begin by making a card base from light grey cardstock (you could also use white, cream, medium grey, or black cardstock here instead).

Cut a piece of Making Memories light pink polka dot paper slightly smaller than the card base. Ink all edges with burgundy ink. Adhere to card base.

Cut a piece of Opera Red Tonic Studio Mirror Cardstock slightly smaller than the previous layer. Adhere to the previous layer.

Cut a piece of matte silver metallic cardstock a little smaller than the previous layer. Use the “wave” decorative edge scissors on all four sides.

Using black cardstock, cut two slender pieces about ½ of an inch or so wide and a little less than half the length of the card front long. Cut their outer (left) edge with the wavy decorative edge scissors.

Next, cut a piece of cream cardstock a little smaller than the previous layer. Ink all four edges with burgundy ink.

Tuck one of the black cardstock pieces under the top left-hand side of the cream cardstock. Adhere to underside of cream cardstock. Repeat the same process on the bottom right-hand side of the cream cardstock, then adhere the cream cardstock piece down.

Cut a black rhinestone (gem) adhesive bling strip piece in half and adhere one half to each of the two black (wavy edge) pieces of cardstock from the previous step. Repeat the process, only this time the other half of the rhinestone strip goes horizontally, as shown in the photos.

Cut a piece of elegant damask-y floral paper a touch smaller than the previous layer. Ink all four edges with burgundy ink. Adhere.

Run a piece of pink seam binding (red, white, grey, black, silver, or gold could also be used here instead) across the center of the layers that you’ve composed so far. Adhere in place.

(Note that most of this piece of seam binding will be hidden – you only see a wee glimpse of it on the right-hand side of the center of the card.)

Using the largest-sized die from the wonky/wavey oval die set, die cut one shape out of Scarlet Organza Tonic Studio Mirror Cardstock. Adhere.

Using the second largest wonky/wavey oval die, die cut one shape from light red cardstock. Adhere.

Die cut an oval-shaped piece using black cardstock and a decorative edge oval-shaped die. Adhere to the previous layer.

Use red and white letter stickers to spell out the sentiment “Hey Ghoul Friend” on the black oval layer that you just created.

Take a piece of light grey cardstock (the same cardstock that you used for your card base here) and, in black ink, stamp three ghosts and one adorable little dangling spider from the Gerda Steiner Ghosts Stamp Set. Die cut (or fussy cut) the ghosts out.

Colour the bodies of the ghosts and the whites of the spider’s eyes with the metallic white marker (or paint pen; in lieu of either, you could use anything from a white gel pen to white chalk and a chalk fixative to white Nuvo Drops).

Adhere the ghosts around the wavy/wonky oval layers, as shown. Adhere the dangling spider from the bottom right-hand side of those layers.

Use a stitched (or plain) edge heart die to cut three identical-sized heart shapes from cream, light grey, and black cardstock (one heart per colour). Ink the edges of the light grey heart with burgundy ink and stamp “Happy Valentine’s Day” in the same ink on that heart.

Adhere the three hearts together, offsetting them a bit (as shown) so that each colour is visible.

Punch a hole near the top of the heart stack and string a small piece of cream/natural (or white, black, grey, red, or pink) raffia, paper raffia, or other suitable trim through the hole. Tie the ends of this piece of trim around the pink seam binding layer (or adhere in place instead, if so desired).

Do not adhere the heart stack down to the card layers beneath it. You want the hearts to dangle and be able to move around freely.

Create a multi-loop bow from white (or cream, pink, red, grey, or black) seam binding. Optionally, crinkle the seam binding ahead of time if you are going for the same look as the seam binding bow shown here. Adhere on the left-hand side of the card so that the bow conceals where you tied/adhered the raffia/trim in place.

Adhere one grey rhinestone heart embellishment to the center of the seam binding bow and four others around the card in various spots.

Lastly, adhere a few sparkly creamy-white colour Prima gem embellishments around the card, as shown.

And there you have it. One over-the-moon cute Valoween, Valentine’s Day, or Galantine’s Day card to give to one of your favourite ghoul pals (naturally, you could swap out the word “ghoul” to the less gender-specific “boo” instead, if desired).

There is spooky, and then there is scary

The concept of Valoween as a whole can certainly be spooky, mysterious and/or eerie, but it is unlikely to evoke genuine fear in many people.

As much as I love spooky things – and even some very specific hair-raisingly frightening ones as well – I am rarely looking to be or to feel sincerely scared.

That is one of many responses, however, that most of us feel when somebody we care about falls ill or gets injured. And it is one that countless millions around the globe have contended with since the pandemic took hold.

Though the initial fear I experienced upon learning that my sister had come down with the Coronavirus was powerfully intense, it has subsided somewhat at this point and now sits at a mid-level worry.

I do not see that shifting downwards further very much until we know she is safely out of the woods and doing substantially better again.

Our family has been exceedingly lucky thus far regarding Covid-19 and not a day has gone by since the pandemic began that I haven’t given thanks for that being the case.

I am acutely aware that many others have not been able to say the same thing and that our own luck could vanish in the blink of an eye. As far as medical science knows, save for a tiny subsection of the population who appear to possibly be immune to Covid, this virus can strike any of us at any time.

In the face of the most real of threats and worries, it is perfectly normal (and healthy) for any of us to be scared. Who hasn’t experienced at least a bit of fear since Covid burst onto the scene?

Creating this card helped me to momentary relax and connect with the fun side of spooky for a few hours.

All the while, never losing sight of the ever-greater poignancy that concepts pertaining to death, the afterlife, and spirits have taken on for many of us over the past couple of years.

Know that whether you, your partner, your child, your parent(s), your sibling(s), or anyone else that you care about is ill or has lost their battle with Covid, my thoughts, heart, and perpetual understanding are with you.

And should you ever need someone to talk to on that front, please remember that I am always just an email away.

Here’s hoping that February is a vastly more positive month for all those who need it to be – and that maybe, just maybe, it wouldn’t feel quite as speedy. (#wishfulthinking)

On top of the second Valoween project that I will be sharing, I have some really cool content coming down the pipeline in the next few weeks, including an exciting author interview post with one of today’s most beloved + best selling Pagan authors.

So you will certainly want to keep your dial set to Witchcrafted Life as we embrace Imbolc’s return and do our best to stay safe and well all February long.

Have you and/or anyone close to you contracted Covid-19 so far? Do you enjoy the concept of Valoween or are you more a traditional Valentine’s/Galantine’s Day person?  

PS: On a largely unrelated note, earlier this week my browser crashed moments after I had opened up nearly three weeks of recent blog feeds in my feedreader and somehow that ended up marking them all as read and in turn instantly, irretrievably deleting them from my feed (what? how? why?!!! ).

As a result, if I missed commenting on some of your January blog posts (and I normally visit your site), please know that this is the reason why, my dear friends.

Many sincere apologies about that! It is unusual for my computer to freeze or crash (thankfully), even though it is getting on in years at this point.

When it does crash or freeze though, I find that more often than not, this happens so when I am doing something that I don’t want to risk losing or having to start from scratch with (Murphy’s Law all the way).

Oh well! Not a big deal of course, especially in the grander scheme of things – but I did want to mention it here all the same.

The post Hey, Ghoul Friend Adorable Valoween (Spooky Valentine’s Day) Ghost Themed Card appeared first on Witchcrafted Life.

Yet, in many corners of the world, it began, two, three, or perhaps even as many as four months ago (I have, for example, experienced snow in September while living in certain parts of Canada) and that can mean that we are already more than a little eager for spring to return.

Alas, save for those lucky folks in some particularly warm and/or mild climates, we need to exert saint-worthy patience for a bit longer.

However, as entrenched into the bone-chilling heart of winter as many of us are, subtle signs of spring’s impending return are – or will soon be – perceptible again.

Not trees in bloom, perfectly tender asparagus and delectably sweet little strawberries perceptible, but the forebearers to those kinds of seasonal changes and many others that will greet us as winter takes its bow and exits stage left.  

In the 2 years and a couple of weeks that Witchcrafted Life has been online, I have penned 1 – 3 dedicated posts a piece so far for each of the Pagan sabbats. Such posts have focused on things such as the history, traditions, associations, correspondences, colours, foods, herbs, plants, animals, crystals and so forth of each of these sacred days.

You can bet your favourite winter scarf that I won’t stop writing those kinds of posts anytime soon.

However, as one of the guiding inspirations for this blog’s creation was to not “merely” share some posts that focused on paper crafting and others on Paganism/witchery, but to combine the two on various occasions, that is what I am planning to do more of throughout this year (and beyond!).

There have, of course, already been a handful of posts that combined both.

However, starting this month, I am on a mission to create and blog about at least one craft (be it paper or otherwise) project for each of the year’s Pagan sabbats throughout 2022/2023.

Ideally, continuing to do so on a fairly regular basis beyond then as well.

The first sabbat to transpire after the New Year, Imbolc (aka, Imbolg), is rapidly approaching again and as such I decided there was no better time to get the ball rolling on my roster of sabbat-focused projects than with an Imbolc themed creation.

Elegant winter meets spring colour palette Imbolc card

Much as with the seasons themselves, there are certain colours that are broadly associated with each sabbat.

Those which are – in the Northern Hemisphere – often ascribed to Imbolc include colours that echo both winter’s chill and the inaugural glimmers of spring’s upcoming return.

Fire, light, and sunshine are integral components of many an Imbolc celebration. This often leads to colours such as white, yellow, bronze, gold, and red being connected with Imbolc.

Others with strong ties to Imbolc include (but are not limited to) cream, pale pink, green, light blue, brown, grey, and silver.

As I envisioned the card at the heart of this post, I knew that I wanted to utilize a colour palette that tapped into both the dark heart of winter and the jovial, far more lighthearted (as a general rule) nature of springtime.

Imbolc is often viewed as being the first spring sabbat, even though it is housed at the start of February.

As with many sabbats, solstices and equinoxes, this perception stems in no small part from the days when our ancestors lived in tremendously close proximity with nature and the perpetual ebbing and flowing of the seasons.

Whether for hunting, planting crops, being able to dig into the soil to set posts or lay bricks for new homes or myriad other happenings, the seasons dictated and shaped a great deal of how civilization has unfolded.

Early February does not usually have the warmth or greenery of Ostara or Beltane, but it is far enough away from the Winter Solstice to afford it the title of spring’s unofficial start.

Or, if you personally feel that it is simply too deeply buried in wintertime proper still, then Imbolc serves as a midway wintertime sabbat celebration that embraces elements of the present season and the one that lies ahead in near equal measure.

The colours used on this card tap into both winter (black, grey, and white) and early spring (grey, white, and green).

Much like Imbolc itself, they serve as a reminder that it will not be too much longer until the world rouses from its wintertime slumber and slips into its springtime finery once again.

In addition to the colours themselves, this card represents the seasonal duality of Imbolc by the presence of both snowflakes and greenery (the bloom bedecked branches/vines).

Given that the snow in our backyard is still up to my knees and may very well rise higher again before winter officially throws in the towel, this chilly season component is one that I – like many of us – associate closely with Imbolc.

Yet even as I light a flock of twinkling candles, invoking both literal and metaphorical warmth and light back into the world once again, I am already daydreaming about the lush foliage and life-affirming properties of spring. These too are honoured come the year’s first sabbat.

I find the colours at play on this card to be very soothing and peaceful. They are not as bleak as the harshest days of winter, yet nor are they as vibrant and breezy as those of, say, late spring or early summer.

Much like Imbolc itself, they are comforting and ancient, a marriage of two seasons that is, in fact, the precursor to the death of one and the rebirth of another.

Products used to make a festive black, grey, green, and white Imbolc card

-White or off-white (which is what I used) subtly textured or smooth cardstock

-Sage/light green cardstock – Soft Tones Cardstock from Paper Accents

-Dark (pine/forest/hunter) green cardstock

-Grey cardstock

-Black cardstock

-Green metallic cardstock – Foil Cardstock Paper from Recollections (Michael’s brand)

-Grey plaid paper – Christmas Festive Ornaments Paper from Carta Bella

-Pine tree print border strip of paper – Christmas Border Strips Paper from Carta Bella

-Fir/pine bough patterned paper (used in the center of this card) – Christmas 4”x4” Journaling Cards from Carta Bella

-Ornate circle die

-Snowflake border die (or a similar snowflake border punch)

-Two-part snowflake die (a single layer/part snowflake works just as well here, too)

-“Blessings” word die (or letter dies, stamps, stickers, wood veneer pieces, or rub that can spell out the same word)

-Small vine/branch with flowers die

-Fir/pine branch die – Fall Foliage Dies from Spellbinders

-Off-white and grey flat back adhesive pearls – Opaline Designer Half Pearls from Basic Grey

-Black and green enamel dots – Green Fields Enamel Dots from Alte & New

-Dark green ink – Memento Dew Drop Northern Pines Ink from Tsukineko

-Black and white tiny letter stickers (product not named but from the Stickah brand sold at Dollarama)

-White or off-white embroidery thread (very thin crochet thread could also be used here)

-Dimensional foam, pop dots, or similar to elevate some of your layers

-Adhesive, such as a tape runner, of your choice (I often use my Scotch Tape Glider)

How to make an elegant winter meets spring Imbolc card

Start by making a card base from either white or off-white cardstock.

Cut a piece of green metallic cardstock slightly smaller than the card base. Adhere.

Cut a piece of black cardstock slightly smaller than the green metallic cardstock layer. Adhere.

Next, cut a piece of the grey plaid Carta Bella paper so that it is slightly smaller than the width and about 60% off the height of the previous layer. Attach it to the top portion of the black cardstock layer, as shown.

Cut a piece of sage/light green cardstock so that it is slightly smaller than the width and about 40% of the height of the black cardstock layer. Attach it to the bottom portion of said black cardstock layer.

Die cut (or punch out) a border strip with three good-sized snowflakes from black cardstock. Use white or off-white embroidery floss to stitch through the edges of this piece (alternatively, you can use an opaque white pen or marker to hand draw stitching instead).

Adhere in the center bottom of the sage/light green cardstock layer. Top the center snowflake with an off-white and grey pearl embellishment.

From the Carta Bella Christmas Border Strips Paper cut out a pine tree border strip and adhere it roughly 2/3^rd to 3/4^th of the way down the center of the card layers that you have constructed so far.

Using both sage/light green and white/off-white cardstock, die cut two nesting snowflake shapes. Place the smaller white or off-white piece inside of the larger green snowflake piece. Adhere to the sides in the top 1/3^rd of the center panel of the card, as shown.

Top the center of each white inner snowflake with an off-white and grey pearl embellishment.

Use the Spellbinders fir/pine bough die to cut two branches from each the sage/light green, dark green, and metallic green cardstocks.

Starting from the darkest to the lightest colour, arrange these bough pieces around the edges of the center of the card, allowing them to overlap a bit with the snowflakes and the pine tree border strip. Adhere.

Die cut two flowering branch/vine pieces from black cardstock and another two from grey cardstock. Top the black pieces with the grey ones, off-setting them a little so for an added sense of dimension. Adhere both pairs together and then atop the center of the fir/pine bough area that you just created.

Using the Alte & New enamel dots, adhere green and black dots on the flower portions of the flower branches/vines, as shown in the photos throughout this post.

From green metallic cardstock, die cut an ornate circle shape. Using pop dots, foam squares, or another dimensional adhesive, adhere this circle to the center of the card front.

Cut out the winter foliage (with a dark grey background) piece from the Carta Bella 4”x4” Journaling Card paper, then this piece into a circle shape. Adhere it to the green metallic layer from the previous step.

Next, use the small white and black letter stickers to spell the word “Imbolc”, alternating between light and dark green cardstock, adhere and then fussy cut out each sticker so that it has a very thin border around it from either of those two cardstocks.  

Repeat the cardstock process again, this time alternating colours so that if the letters were first backed with light green paper, their second border (backing) layer is dark green and vice versa.

Arrange the letters in a playful slightly uneven (from one another) manner in the top portion of fussy cut circle created in the previous step.

Use the “Blessings” word die to die cut three identical words, one each from sage/light green, dark green, and white/off-white cardstock.

Arrange these layers starting with the sage/light green, then the dark green, followed by the white/off-white so that all three layers are slightly off-centre from one another for an added sense of depth.

Adhere the layers together and then beneath the “Imbolc” letter stickers.

Use three sizes of matching coloured off-white or white adhesive pearls to create a frame/border around the top and bottom portions of the fussy cut green paper piece, as shown.

For the final step, use three sizes of black Alte & New enamel dots to adorn the top corners of the grey plaid paper layer and three sizes of green Alte & New enamel dots to adorn the bottom corners of the sage/light green cardstock layer.

And just like that, you have a sophisticated, wonderfully seasonally appropriate handmade Imbolc card to send off or present in person to someone special.

Alternatively, if you use a different sentiment this same design can be used for various other wintertime (or summertime if you are south of the equator) events as well. For example, Yule, Christmas, New Year’s, winter birthdays and anniversaries, just because and thinking of you cards, and even as a very heartfelt sympathy card.

One foot in winter, the other stepping towards spring

As with each of the Pagan sabbats, those who choose to observe them have free range over when they opt to do so. Nothing on that front is written in indelible ink and those of both Pagan/Wiccan/witchy leanings and otherwise that make the sabbats a part of their lives can do so whenever they desire.

That said, a good many of us opt to do so on either February 1^st or February 2^nd.

As a general rule, I lean towards February 1^st. As with each of the year’s eight beautiful sabbats, however, aim to encapsulate the sacred day itself with at least a few more days on either side. Thus, instead of “just” one day, Imbolc and each of its other sabbat siblings become mini seasons of celebration unto themselves.

I adore Imbolc and while that is, objectively, true for each of the eight sabbats that comprise The Wheel of The Year, there are some that I feel all the more pulled towards.

Imbolc, situated as it is as the counterpoint to Lammas six months later (on this side of the equator), is a cozy, soulful period that invites us to reflect on where we have come not only since January 1^st of the present year, but since this point last winter.

As well, it taps into the return of new life + gentler weather that will soon pop back up much like a crocus exuberantly bursting through a mantle of snow to soak in the year’s first warm rays of sunshine.

I do not hate winter (far from it!) and can scarcely imagine living somewhere that did not experience a frozen segment of the year.

Winter – much like fall – stokes the fires of my creativity, my energy, my productivity and much more in ways that spring and summer are not always able to do to same degree.

Many is the year that I have felt a splash of melancholy as winter breathed its last. However, those post-winter blues are rarely long-lived as the endearing vitality and breathtaking colour palette (to say nothing of the scents, tastes, and sounds) of spring dance merrily across the landscape once again.

Right here and now though, in our wee corner of Western Canada, the mercury sits below freezing, many local bodies of water have ice on them that is thick enough to safely skate or fish on, and there’s plenty more snow forecasted in the coming weeks.

Come February 1^st and in the days that buffer it on either side, I will embrace winter while it is still here. And at the same time, I’ll steer the rutter of both my witchy workings and life as a whole towards springtime.

Each season and sabbat is a gift, and Imbolc – with its emphasis on fresh starts, new life, and finding light in even the darkest times (aka, the middle of winter) – is no exception.

Just as the wording on this handmade greeting card states, with all of my heart, I wish you each a blessed and truly beautiful Imbolc. May it, in due time, unfold into a low-stress, high enjoyment spring for all of us!

Whether you observe Imbolc or not, what do you view as the unofficial start of spring? Which colours do you most associate with this point in the year?

The post Elegant Winter Meets Spring Colour Palette Imbolc Card appeared first on Witchcrafted Life.